A Quote by Rashad Evans

It's sad because I worked so hard to be able to provide for my kids and give them a better life than I ever had for myself but I can't give them the one thing which they really need more than anything, and that's me.
Parenting forces us to get to know ourselves better than we ever might have imagined we could--and in many new ways. . . . We'll discover talents we never dreamed we had and fervently wish for others at moments we feel we desperately need them. As time goes on, we'll probably discover that we have more to give and can give more than we ever imagined. But we'll also find that there are limits to our giving, and that may be hard for us to accept.
My parents, Romanian immigrants, struggled to provide me a better life than the ones they had left in their homeland. They worked hard to give me every opportunity in life, and once I showed natural talent as a young gymnast, they spent every last penny on my training.
I was asked why I did not give a rod with which to fish, in the hands of the poor, rather than give the fish itself as this makes them remain poor. So I told them: The people whom we pick up are not able to stand with a rod. So today I will give them fish and when they are able to stand, then I shall send them to you and you can give them the rod. That is your job. Let me do my work today.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
If someone like Karl Rove had wanted to neutralize the most creative, intelligent, and passionate members of his opposition, he'd have a hard time coming up with a better tool than Burning Man. Exile them to the wilderness, give them a culture in which alpha status requires months of focus and resource-consumptive preparation, provide them with metric tons of psychotropic confusicants, and then... ignore them. It's a pretty safe bet that they won't be out registering voters, or doing anything that might actually threaten electoral change, when they have an art car to build.
Kids, if anything, are harder to write for because they are a more discerning audience. They will not stay with you if you go off on a tangent or if you give them extraneous information that doesn't serve the story. You really have to tell a tight story. You have to give them humor and suspense and believable characters. All those things that adults want too, but you have to be really on your game when you're writing for kids.
I mean, you can't make anything without making mistakes, is the truth, and I'm very grateful for those misses that I've had in my career at home, because you learn so much more from them than you ever do from the hits. You learn that you really have to work hard, which I wasn't really doing at that time. You sort of think 'I've cracked it, I'm doing it.'And you start to think perhaps you're more of a dude than you really are.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
I went to a school where everyone was smarter than me. And I'm not blowin' smoke, I, my, I was surrounded by genius, genius kids. What's interesting about growing up in a culture like that is you go, "All right, I gotta figure out what my thing is. Because I'm not smarter than these kids. I'm not funnier than half of them, so I better figure out what it is I wanna do and work really hard at that because intellectually I'm treading water to, to be here."
I've always vowed that if I had a child, I would treat him right. My father was a perfect model for me because everything that he did wrong, or everything that he did I would just do the opposite. Which would be the right thing to do. So that is being in your son's life 100 percent, give them love, give them affection, give them discipline.
Tulse Luper, who without too many confessions, in a sense, is a fictive version of me. I have to say he has far more exciting adventures, and certainly a lot of them sexual, than ever I've experienced. But in a sense, what you do with an alter ego, you give them all sorts of permissions and licences which you know you'll never be able to embrace in your real life.
When I go to auditions, I try to always make sure I go in prepared. I always think to myself, 'I'm here to provide them with a service. They need me, and if they decide to hire me for this service, I'm going to give them the best they've ever paid for and if they don't, they're dumb.' That's on them.
None of the editors I've worked with have ever asked me to pull my punches. They've never asked me to give them anything other than my own interpretation of events.
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard.There are not more than five primary colors, yet in combination they produce more hues than can ever been seen.There are not more than five cardinal tastes, yet combinations of them yield more flavors than can ever be tasted.
When we start shooting I don't have rehearsals with characters at all. So, rather than pulling them towards myself, I travel closer to them; it's very much closer to the real person than anything I try to create. So I give them something but I also take from them.
I have everything that I would possibly imagine. I have a family that loves me and that's... more than most kids have. And it's really awesome for me to experience this life... because most kids don't have this life, and I'm trying to reach out to them and help them.
This site uses cookies to ensure you get the best experience. More info...
Got it!