A Quote by Rashid Johnson
As an artist, I've always felt most comfortable outside of the art supply store. So domestic materials are the ones that most help inform what I'm trying to talk about and our familiarity as a whole - kind of the collective us, I guess.
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I have always felt the word 'advertising' is either a diminutive or derogatory term that kind of goes with stuff people don't like, and I always felt frustrated because I felt like I was a communication artist or a media artist. The best advertising is one of the art forms of our culture.
Most of us cannot afford to store a year's supply of luxury items, but find it more practical to store staples that might keep us from starving in case of emergency.
We tell stories to talk out the trouble in our lives, trouble otherwise so often so unspeakable. It is one of our main ways of making our lives sensible. Trying to live without stories can make us crazy. They help us recognize what we believe to be most valuable in the world, and help us identify what we hold demonic.
Most of us don't have to worry about being shot if we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.
Most of us don't have to worry about being shot of we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.
The most important imperative to be questioned is the one that tells you to go the the art supply store to be a painter.
I've always felt most comfortable in the hopeless romantic, underdog kind of roles who always gets the girl in the end. I don't know what that says about me but for some reason it's a natural fit.
If you talk to most athletes, the place you're most comfortable is your playing field. I'm not so comfortable at a podium or talking about events.
The part that I felt most comfortable with going in was just working with actors and trying to make them feel comfortable and safe so they could find the performance. That part felt organic to me.
Most of the work I make uses materials that are a bit outside of the traditional fine art world.
There has been so much recent talk of progress in the areas of curriculum innovation and textbook revision that few people outside the field of teaching understand how bad most of our elementary school materials still are.
Like most people, I've always felt using words like 'best' when applied to art is a fun way for critics to stay busy at the end of the year, and I guess a good way to help get ratings for awards shows, which is fine.
Electronic brains may help us to use our heads but will not excuse us from that duty, and as to our hearts-cardiograms cannot diagnose what may be most ill about them, or confirm what may be best. The faithful woman and the versatile brave man, the wakeful intelligence open to inspiration or grace-these are still exemplary for our kind, as they always were and always will be.
The Keystone pipeline would add to our domestic supply. It would help us with energy independence.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
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