A Quote by Reba McEntire
So, we come out to Los Angeles. And we met with every network. We met with show runners, directors, writers, everything. And what we had an idea for, they didn't like. And what they had an idea for, we didn't like. So, we went home.
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I grew up at this incredibly odd intersection in Los Angeles, where it felt like the black 'hood met black elegance met white gentrification met Latin culture met wetlands.
When I met my wife Vicky's family, I had to go out of my way to convince them, to show them, that I wasn't anything like their idea of a musician.
The first time I met my father was when I was 25. I was visiting here in Los Angeles, I had not moved here yet. And he came down to meet me. It wasn't emotional, it was like meeting a stranger.
I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."
Now, ideas are the raw material of progress. Everything first takes shape in the form of an idea. But an idea itself is worth nothing. An idea, like a machine, must have power applied to it before it can accomplish anything. The men who have won fame and fortune through having an idea are those who devoted every ounce of their strength and every dollar they could muster to putting it into operation. Ford had a big idea, but he had to sweat and suffer and sacrifice to make it work.
I've actually done three pilots for Disney. I met with the network when I was 16 years old and had just started acting. I would fly to Los Angeles to film pilots, then fly back to Dallas, where I grew up.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.
I first told the idea to an editor I had met who, after reading one of my novels for adults that was set in a high school, had an idea that I might write something for children.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
When I went to Hollywood, I had to work out in a gym. The idea was that I should look like Daniel Craig, though they hadn't even met him at that point.
I was the only person I'd ever met who had a record contract. None of the E Street Band, as far as I know, had been on an airplane until Columbia sent us to Los Angeles.
I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.
I LOVE YOU SO MANY REASONS ' --- Before i met you I spent a lot of time meeting all kinds of people i had a lot of fun and learned a lot Though each person I met had great characteristics something was missing No one person had all the qualities that I had hoped a person could have- someone whose every action and thought I could respect someone who was very intelligent yet could also be fun-loving someone who was sensitive, yet virile exciting and sensuous someone who knew what they wanted out of life. a beautiful person inside and out I could not find a person like this until i met you
I actually met Larson [Paine] on Larchmont in Los Angeles. He was eating and he stopped me because I was massaging my larynx. I was doing a show and trying to loosen up my throat. He had sort of this southern vibe about eating alone and talking to people. And it was funny because I had just having eaten with Larry O'Keefe and Nell Benjamin.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote "The Rose," and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
If I hadn't left Texas, I might not have met the director Terrence Malick, and I wouldn't have met my husband and I wouldn't have had the children that I've had. Life is interesting like that.
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