A Quote by Rebecca Solnit

The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
Poetry is the art of creating imaginary gardens with real toads.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
When real nobleness accompanies that imaginary one of birth, the imaginary seems to mix with real, and becomes real too.
One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?
... imaginary gardens with real toads in them ... ... if you demand on one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, then you are interested in poetry.
The distinction between what is real and what is imaginary is not one that can be finely maintained ... all existing thing are ... imaginary.
Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents' Night.
A labyrinth is a symbolic journey . . . but it is a map we can really walk on, blurring the difference between map and world.
Imaginary obstacles are insurmountable. Real ones aren't. But you can't tell the difference when you have no real information. Fear can create even more imaginary obstacles than ignorance can. That's why the smallest step away from speculation and into reality can be an amazing relief...The Reality Solution means: Do it before you're ready.
In the 1920s the young English physicist Paul Dirac began trying to understand and describe the space-time evolution of the electron, the first elementary particle discovered by J.J. Thomson in 1897. Dirac was puzzled by an unprecedented property of space-time, discovered by Lorentz in his studies of electromagnetic forces, whereby if space was real, time had to be imaginary, and vice versa. In other words, space and time had to be a ‘complex’ mixture of two quantities, one real and the other imaginary.
There are two kinds of Arctic problems, the imaginary and the real. Of the two, the imaginary are the most real.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Passing a law like the assault weapons ban is a symbolic - purely symbolic - move in that direction. Its only real justification is not to reduce crime but to desensitize the public to the regulation of weapons in preparation for their ultimate confiscation.
As in private life one differentiates between what a man thinks and says of himself and what he really is and does, so in historical struggles one must still more distinguish the language and the imaginary aspirations of parties from their real organism and their real interests, their conception of themselves from their reality.
Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.
Even the very youngest children already are perfectly able to discriminate between the imaginary and the real, whether in books or movies or in their own pretend play. Children with the most elaborate and beloved imaginary friends will gently remind overenthusiastic adults that these companions are, after all, just pretend.
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