A Quote by Rebecca West

There are acacias, a graceful species amusingly devitalized by sentimentality, this kind drooping its leaves with the grace of a young widow bowed in controllable grief, this one obscuring them with a smooth silver as of placid tears. They please, like the minor French novelists of the eighteenth century, by suggesting a universe in which nothing cuts deep.
Grace is in a great measure a natural gift; elegance implies cultivation; or something of more artificial character. A rustic, uneducated girl may be graceful, but an elegant woman must be accomplished and well trained. It is the same with things as with persons; we talk of a graceful tree, but of an elegant house or other building. Animals may be graceful, but they cannot be elegant. The movements of a kitten or a young fawn are full of grace; but to call them "elegant" animals would be absurd.
I lifted the white cloth from the white face of the man that I had worshipped as an idol-looked upon as a demi-god. Notwithstanding the violence of the death of the President, there was something beautiful as well as grandly solemn in the expression of the placid face. There lurked the sweetness and gentleness of childhood, and the stately grandeur of godlike intellect. I gazed long at the face, and turned away with tears in my eyes and a choking sensation in my throat. Ah! never was man so widely mourned before. The whole world bowed their heads in grief when Abraham Lincoln died.
It may happen in the next hundred years that the English novelists of the present day will come to be valued as we now value the artists and craftsmen of the late eighteenth century.
There are those, however, that are not frightened of grief: dropping deep into the sorrow, they find therein a necessary elixir to the numbness. When they encounter one another, when they press their foreheads against the bark of a centuries-old tree...their eyes well with tears that fall easily to the ground. The soil needs this water. Grief is but a gate, and our tears a kind of key opening a place of wonder thats been locked away. Suddenly we notice a sustaining resonance between the drumming heart within our chest and the pulse rising from the ground
A sensitive plant in a garden grew, And the young winds fed it with silver dew, And it opened its fan like leaves to the light, and closed them beneath the kisses of night.
What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.
To my mind, the two most fascinating subjects in the universe are sex and the eighteenth century.
I flexed my wrist, popped a silver needle into my palm, and offered it to him. 'What's this?' 'A needle.' 'What should I do with it?' He'd walked right into it. Too easy. 'Please use it to pop your head. It's obscuring my view of the room.' - Kate & Saiman
The most famous line in gastronomic history, 'Let them eat cake', turns out to have been an eighteenth-century cliche. According to Antonia Fraser, the French accused every foreign queen of saying it, beginning in 1670 with the wife of Louis XIV, Marie Theresa.
Berthe Morisot was a painter full of eighteenth-century delicacy and grace; in a word, the last elegant and 'feminine' artists since Fragonard.
The teacher manages to get along still with the cumbersome algebraic analysis, in spite of its difficulties and imperfections, and avoids the smooth infinitesimal calculus, although the eighteenth century shyness toward it had long lost all point.
There is a level of grief so deep that it stops resembling grief at all. The pain becomes so severe that the body can no longer feel it. The grief cauterizes itself, scars over, prevents inflated feeling. Such numbness is a kind of mercy.
As you might imagine, if you're a teenager having a couple of people with microphones and guns always following you around, that could grate on them. But you know, they've handled it with grace and I give Michelle [Obama] most of the credit for how well they've done, but I also just think they are graceful, good young, young women.
The French Revolution was a kind of 21st-century moment in the heart of the 18th century - and Alex Dumas, outstanding though he was, could never have risen the way he did if not for that. The French Revolution was the American Revolution on steroids.
We collected in a group in front of their door, and we experienced within ourselves a grief that was new for us, the ancient grief of the people that has no land, the grief without hope of the exodus which is renewed in every century.
From that point on, the extraordinary system of spies and informers which has played an important part in the political work of the French state into our own time took shape. (Sartine, who became lieutenant general de police in 1759, is supposed to have said to Louis XV, "Sire, when three people are chatting in the street one of them is surely my man.") Eighteenth-century police manuals like those of Colquhoun in England or Lemaire in France are no less than general treatises on the government's full repertoire of domestic regulation, coercion, and surveillance.
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