A Quote by Rebecca Hall
I want to try to make difficult people somehow relatable.
Related Quotes
You either hear the story and you're curious, and you're sort of sympathetic, or you think, "Ugh, how horrible." That's dehumanizing. How about we take that and turn Christine Chubbuck into a person and it's not about the final act, it's about her life. I felt that really strongly, and I felt a sort of deep sympathy with her. It's also why I do what I do. I want to try to make difficult people somehow relatable.
I really try to make myself relatable, which is hard, because supercars in general are not relatable.
It's so hard to look at someone doing a triple cork when you're 7 years old, and them saying, 'I want to go do that.' It's not really relatable at all. So, if I can somehow make it so kids want to get into snowboarding, that's special.
A lot of Viners do more relatable stuff, but I try to stay away from that. I try to maybe take a relatable situation and Bach it up.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
It's very difficult for governments to dominate the Internet because it's so difficult to control. People want to be free. People want to hear multiple voices. They want to make their own decisions. And people who see things will report things.
I try to make music that's relevant to my life and relatable to the culture I live in.
I try to broaden every discussion out, make it very relatable to fans.
I don't want to be super serious but I want to have fun with my platform. I want to touch people, I want to be relatable and let girls know that you can go to college and still pursue what you want after that.
I think it's a relatable concept - when you have a long-term relationship or marriage, and you want to try to be friends with that person, because you kind of grew up with that person and they know you better than anyone, and how it's just impossible to make that transition seamlessly.
I want to make something like 'Arrow' and 'Flash' relatable and understandable and not make it cartoonish.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
People in retail banks are not smart. They have a business model that's quite difficult to not make money out of - but still they somehow manage it.
I've found that the common humanity of people is the most relatable thing, and even if your stories are very specific about a different place, if you have a relatable core of humanity, people will go along with it.
Some people say the things I do are annoying because I'm intentionally trying too hard to be relatable, but I'm really not. It's never really been my intention; I've never gone out of my way to be relatable to anyone. I just say what I want, and I'm pretty blunt about things.
I don't consciously try to make things difficult as much as I try to make them a little different. I like all kinds of laughs. I tried to make a show that elicit groans, guffaws, chuckles, boos.
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