A Quote by Regina Spektor
I've been thinking a lot about space. It was one of those slow-motion realisations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
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I started thinking about how life is a lot like getting pushed out of a plane. You didn't ask to be here, none of us did. But we're all careening through space towards an eventual end that no one's gonna be able to put off. That's the only thing that's definite, this impact. So I started to think about how a lot of us fall at an incredible velocity, and it's over in the blink of an eye.
There was only so much space between us, not even a real distance if measured in miles or feet or even inches, all the things that told you how far you'd come or had left to go. But it was a big space, if only for me. And as I moved forward to him covering it, he waited there on the other side. It was only the last little bit I has to go, but in the end, I knew it would be all I would truly remember. So as I kissed him, bringing this summer and everything else full circle, I let myself fall, and was not scared of the ground I knew would rise up to meet me.
It feels like everything's been decided in advance that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense of who I am. It's like my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch.
When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.
The one who plays this game the best is Iniesta: he knows exactly when to go forward and when to drop back. He picks the right moment to do everything: when to dribble, when to speed things up and when to slow things down. And I think that's the only thing that can't be taught or bought. You can learn how to shoot and how to control the ball, but being aware of everything that's happening out on the pitch - that's something you're either born with or you're not.
I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.
I think that the revolution in music is over, and what's left is a mop-up action. It's a matter of the news getting out to everybody else. I think that the important changes have already happened, changes in consciousness. It's mostly a matter of everything else catching up to that. Everything is traditionally slow - much faster than it ever has been on earth but still far, far too slow.
We all have our own takes on things. To being yourself. The abstract, the whole thing that I play with, seems to result in seeing through your lenses, and once you express how you see things to others, you start to see there are similarities between all people. It's kind of like, no matter how far you go, you're still where you started, in a way.
Especially when I first really started to work with Kenneth and Franklin, who had been in space already. And so, they were able to talk about space and tell me a few things about how things would really happen.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
I'm not putting up with this," she continued. "You can't even go out and buy a solar system without worrying I'll fall apart. How are you supposed to get anything done?" "Actually, I'm not in the market for a solar system right at the moment.
I bargain-shop all the time, but then I started learning about how those products are made and about how if you spend a little bit more money on ethical clothing that are using recycled materials - like, my favorite dresses are by Christy Dawn... the carbon footprint that they're leaving is so minimal, and it's really worth the extra money.
No matter how fast or how slow you get to the quarterback, it all goes to slow motion when you get there. Everything just stops. You don't see anything but the quarterback. You don't hear anything but the quarterback's breath. It's almost like you're a shark. Your eyes get real big and everything's just quiet.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
I didn't even want to sing, honestly. I started thinking about how long the journey was, how far all of us had come - me and Jessica Sanchez, Hollie Cavanagh and Josh Ledet and everybody. It's insane, man. It's not as easy as you think.
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