A Quote by Rei Kawakubo
My design process never starts or finishes. I am always hoping to find something through the mere act of living my daily life. I do not work from a desk and do not have an exact starting point for any collection.
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What I want to express is a feeling-various emotions that I am experiencing at the time-whether it is anger or hope or anything else, and from different angles. I construct a collection and it takes concrete form. That's probably what appears conceptual to people because it never starts out with any specific historical or geographical reference. My point of departure is always abstract and multileveled.
We do not evaluate the result but the starting point of the creative process. Precisely, this shows whether the form was discovered by starting from life, or for its own sake. That is why I consider the creative process so essential. Life for us is the decisive factor.
I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point - whether it's a word or it's an idea, or it's a little piece of narrative that you might base a film on - starting that journey of making the work. That's also something that every individual does very differently.
I have half a dozen designers who work for me, they 'realise' most of the design work, and I act as the design director and the main point of client contact on each project.
I've never really played everyday people. I've played realist roles, but not mere daily life. There was always something incredible happening to my characters.
Design is the patterning and planning of any act toward a desired, foreseeable end... any attempt to separate design, to make it a thing-by-itself works, counter to the fact that design is the primary underlying matrix of life.
I probably get strangers coming up to me two or three times a week to just say something nice. I get more than my share of compliments as I walk through my daily life. I'm not having to show off or make a point about how good I am at doing something. I think I've always kind of been that way.
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
I believe the target of anything in life should be to do it so well that it becomes an art. When you read some books they are fantastic, the writer touches something in you that you know you would not have brought out of yourself. He makes you discover something interesting in your life. If you are living like an animal, what is the point of living? What makes daily life interesting is that we try to transform it to something that is close to art.
Neither in environment nor in heredity can I find the exact instrument that fashioned me, the a.non.y.muse roller that passed upon my life a certain intricate watermark whose unique design becomes visible when the lamp of art is made to shine through life's foolscap.
We try to solve the problem by rushing through the design process so that enough time is left at the end of the project to uncover the errors that were made because we rushed through the design process
Ive never really played everyday people. Ive played realist roles, but not mere daily life. There was always something incredible happening to my characters
I don't think any actor can be satisfied. I am still in the learning phase and I hope I am always in the same frame of mind when I act or do anything else. That's what makes life interesting and worth living.
When you start with a portrait and search for a pure form, a clear volume, through successive eliminations, you arrive inevitably at the egg. Likewise, starting with the egg and following the same process in reverse, one finishes with the portrait.
If I'm not at my desk by 4 AM, I feel like I'm missing my most productive hours. In addition to starting early, I keep an antique hour glass on my desk and every hour break briefly to do pushups, sit-ups, and some quick stretches. I find this helps keep the blood (and ideas) flowing.
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