A Quote by Rene Burri

What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document. — © Rene Burri
What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.
The picture itself is a document. How do you mean? We're looking at a document. It gives you clues.
If you call yourself an American that means that you have embraced the constitution, because that is what an American is. A citizen of the United States of America is someone who has sworn an oath of allegiance to that document, to the words, to the ideals of that document. Right now we have citizens who don't even understand what that document is.
There comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it... What counts is that the paint should really disappear, otherwise it's craft.
I knew I had to cover my back and document what I saw as an opportunity to kind of blow the whistle on a lot of the corruption going on in the White House, and I knew that I needed to document that corruption; otherwise, people would not take it seriously.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.
A picture, to be an interesting picture, must be more than a picture, otherwise it is only a reproduction of an object, and not an object of value in itself.
To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism. And its purpose is to document all facets of social relationships.
'm really proud of 'Sad, Sad World' because it manages to state a very complex paradox of an emotion that I experienced when I had children, which is this great happiness and this great intensity, but with that intensity comes a deeper understanding of the world.
I don't really put too much emphasis on what somebody else might think of it. Otherwise your putting limits on yourself.
I have experienced the intensity of patriotism as a submarine officer, the ambitions of a competitive businessman, and the intensity of political debate. I have been sorely tempted to launch a military attack on foreigners, and have felt the frustration of having to negotiate with allies or even former enemies to reach a consensus instead of taking more decisive unilateral action.
When you are putting that pressure on yourself to win the Premier League, every game brings pressure, every point counts.
Bit by bit, putting it together... Piece by piece, only way to make a work of art. Every moment makes a contribution, Every little detail plays a part. Having just the vision's no solution, Everything depends on execution, Putting it together, that's what counts.
Everybody is constantly putting themselves under a microscope in terms of their productivity and their financial success and this whole idea of 'Picture Me Better,' like picture me, you know, who I'm supposed to be versus, you know, just accepting who we all are.
If you watch college basketball growing up, you picture yourself in that moment, you picture yourself playing in the Final Four on a huge stage.
However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.
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