A Quote by Rene Coty

It's a pity to shoot the pianist when the piano is out of tune. — © Rene Coty
It's a pity to shoot the pianist when the piano is out of tune.

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It's all very well having a great pianist playing but it's no good if you haven't got anyone to get the piano on the stage in the first place, otherwise the pianist would be standing there with no bloody piano to play.
Real data is messy. ...It's all very noisy out there. Very hard to spot the tune. Like a piano in the next room, it's playing your song, but unfortunately it's out of whack, some of the strings are missing, and the pianist is tone deaf and drunk- I mean, the noise! Impossible!
When I was first starting out as a kid, I tried to pad my resume with everything I had ever done - ice-skate, carry a tune. I can't dance for my life, but I can learn, so I'll tell people I can dance. I play the piano - I'm a really good pianist, actually.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
In one dancing saloon I saw the only rational method of art criticism I have ever come across. Over the piano was printed a notice: 'Please do not shoot the pianist. He is doing his best.'
I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.
If you lock me in the room with a piano teacher for a year I might be able to knock out a rendition of 'Roll Out The Barrel,' but will I ever be a concert pianist? No.
When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.
The thing is, I'm not really a great pianist at all. But if God said I could either sing or play piano, and which would it be? I would definitely choose the piano.
My mother adores singing and plays piano. My uncle was a phenomenal pianist. My brother John is a double bassist. I used to play the piano, badly, and cello. My brother Peter played violin.
Rugby players are either piano shifters or piano movers. Fortunately, I am one of those who can play a tune.
I started out as a pianist and singer in gay and piano bars - they were the only places I could get a job singing show tunes.
It seems that a lot of people, who haven't known of me as a pianist, think I've just started off as a comedian. And so for them the piano was something extra. But, of course, playing the piano was something that came before all of what's happened now.
By the time I was eight I was taking classical piano lessons and I wanted to be a concert pianist. But that didn't work out. I graduated from high school and my formal education ended.
Just play football. If you are a writer, you must write. It's the best way to practise. If I'm a pianist, I don't need to run in the forest for one hour or two hours to be a good pianist. I must play piano. So this is what we are doing all the time. Play football. Simple ideas.
If you force yourself to write away from the piano, you come up with more inventive things. If you're too good a piano player, as some composers are, the music may become flavorless and glib. And if you're not a very good pianist, you're limited to the same patterns.
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