A Quote by Rene Marie

There's a certain place you want to get to, and in order to do that, you have to be vulnerable. — © Rene Marie
There's a certain place you want to get to, and in order to do that, you have to be vulnerable.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I'm a person who doesn't necessarily enjoy feeling vulnerable, so I think my loved ones and my family make me feel vulnerable. Also, being connected with people when I'm working is a very vulnerable place to be.
I want to see things work out for everybody... so it's a burden I place on myself to make sure that we are performing at a certain level, that we get certain things done.
I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
I never want to get content. I never want to think that I'm at a certain spot and I'm gonna stay there, because this organization's hard to stay in, and this is the wrong place to get complacent in.
You know how you let yourself think that everything will be all right if you can only get to a certain place or do a certain thing. But when you get there you find it's not that simple.
Sin regardless of how you get there is a vulnerable and a dangerous place to be. Living in unforgiveness is living in an unsafe place.
Consistency is a huge thing at the top. It's hard to get to a good level, but once you get to a certain level, there's people who want your place.
I've always thought it was important not to attach too much superstition to the space where you're writing, because once you get into the mindset that you can only do it a certain way in a certain place, your creativity can get blocked.
Hollywood is a very volatile place where artists come in, and they essentially say they want to belong. It's incredibly vulnerable to be an actor and also get criticism at a young age when you're formulating who you are. We've seen a lot of people fall victim to that, and it's very unfortunate.
Oftentimes, the way it seems to be is that our artists in particular point themselves out as spokesmen for a certain constituency in a community, and thereby place themselves in that vulnerable position.
I would say that it is important to have it in your mind, what your attention is and what you want to do. Really just go for it, and fall and go for it again, and learn and continue to go for it. First, it starts as an abstract idea and you have this dream and desire. It will take you to one place, and in that time you act in a certain way and you do what you have to do in that one place to get you to the next place. It is constantly building into this idea that you have.
The Old West is not a certain place in a certain time, it's a state of mind. It's whatever you want it to be.
For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
I've found that taking shortcuts will get you to the place you don't want to be much quicker than they get u to the place u want to be.
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