A Quote by Reuven Feuerstein

If you are not prepared to look at your pupils strength's, don't touch their weaknesses. — © Reuven Feuerstein
If you are not prepared to look at your pupils strength's, don't touch their weaknesses.
Weakness and strength are necessary for balance. No one or nothing is only weak or only strong. But some of us overlook our weaknesses, and even deny that we have them. That can be dangerous, because denying there is a weakness is in itself a weakness. Likewise, accepting that we have weaknesses becomes a strength. And by the same token, overestimating strength is a weakness. You should not be blinded by your strengths. The feeling of strength is not the same as having strength. Neither should you ignore your weaknesses. Know them well, too.
You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.
Strength is not born from strength. Strength can be born only from weakness. So be glad of your weaknesses now, they are the beginnings of your strength.
We have basic urges all the time. They just manifest themselves in different scenarios, and we have to turn those weaknesses into our strengths. Art is very much about making your weaknesses your strength.
The greatest strength any human being an have is to recognize his or her own weaknesses. When you identify your weaknesses, you can begin to remedy them - or at least figure out how to work around them.
The good pupils are often brilliant, and they keep you on your toes and take you to the limits of your knowledge. The worst pupils provide a unique insight into the criminal mind.
Over the years I've studied the habits of golfers. I know what to look for. Watch their eyes. Fear shows up when there is an enlargement of the pupils. Big pupils lead to big scores.
Use your weaknesses; aspire to the strength.
Don't preach too much to your pupils or abound in good talk in the abstract. Lie in wait rather for the practical opportunities, be prompt to seize those as they pass, and thus at one operation get your pupils both to think, to feel, and to do.
Art is very much about making your weaknesses your strength.
You have to know your strengths and weaknesses. If you don't have a particular strength, you need to go out and replace that.
The weak shows his strength and hides his weaknesses; the magnificent exhibits his weaknesses like ornaments.
Select such subjects that your pupils cannot walk out without seeing them. Train your pupils to be observers, and have them provided with the specimens about which you speak. If you can find nothing better, take a house-fly or a cricket, and let each one hold a specimen and examine it as you talk.
Know what your strengths are, but also keep in mind what your weaknesses are; always work on your weaknesses.
I look at my older writing to see where my weaknesses are and then I try to address those weaknesses and make new mistakes.
With confidence you believe you can overcome your weaknesses. With arrogance you don't even see your weaknesses.
This site uses cookies to ensure you get the best experience. More info...
Got it!