A Quote by Reese Witherspoon

Whether it was making my bed or making a movie, my mother and father never hesitated to say how proud they were of me, and that means so very much to a child. — © Reese Witherspoon
Whether it was making my bed or making a movie, my mother and father never hesitated to say how proud they were of me, and that means so very much to a child.
I never get tired of talking about 'Galaxy Quest.' I am so proud of that movie. Our only fear was that we were having so much fun making the movie we got concerned it might not be as good as we thought it was going to be.
Attachment is misery, but from the very beginning the child is taught for attachment. The mother will say to the child, "Love me; I am your mother." The father will say, "Love me; I am your father" - as if someone is a father or a mother so he becomes automatically lovable.
The mother's and father's attitudes toward the child correspond to the child's own needs.... Mother has the function of making himsecure in life, father has the function of teaching him, guiding him to cope with those problems with which the particular society the child has been born into confronts him.
I was never going to do anything that would have brought shame to my family. I owed too much, and I wanted them to be proud to say that they were Bruno Sammartino's mother and father.
My mother was asked to be a model when she was younger, but my father had not let her, so she was quite keen on me becoming a model. I just went off without telling my dad. I took off to Paris and never came back, but when I became a success and started making money, he was very proud of me.
I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
Number one, I am a true movie maker. And, you know, I am very much - I don't want to say infatuated, but I'm impressed with the art of making a movie and invoking emotion. You know, when I started making movies, I thought it was easy, and then when I got into it, I was like, 'This is not easy at all.'
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
Commitment is making a choice to follow through or to honor. Engagement and guarantee - we all love guarantees in life. Making a commitment, whether it's for something like climate change or to my family, or even to my fans - what that means to me is, whether on paper or verbally or spiritually, making a promise to guarantee that I will fulfill whatever agreement we have.
Making art now means working in the face of uncertainty; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither an audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.
My father is always with me. But moving forward and making my father more proud of me is very important. Taking care of my family, as my father did, is even more important.
There's always the syndrome of the parent-child relationship: when someone has known you since you were very young, it doesn't matter how much more independent, how much older or more mature you get - there is still that element, the dynamic of the relationship that is very hard to successfully transform, and that has nothing to do with the music-making, in the end.
It's not right to say that my father influenced me more than others, and I wouldn't be able to say whether my personality was formed more by my father or my mother or the Mahatma [Gandhi] or the friends who were with us.
My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes. I had a lot of energy as a child - sometimes too much - and I didn't know how to channel it. It was making me suffer. It was bigger than myself, and I was very young.
Every child has to disobey the father. Unless a child disobeys the father he never becomes mature. It is nothing, original, it is very simple and natural. It is very psychological. There comes an age when every child has to say NO to the parents. If he does not say no to the parents he will not have a spine; he will be spineless. If he cannot say no to the parents, he will be a slave his whole life. He will never attain to individuality.
I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
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