A Quote by Ricky Skaggs
I've had a couple of guys that I've had co-produce records with me through my career, and it's fun to work with a co-producer.
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We had been thrown out of a couple of places that we had lived in when I was a kid and all the family photos and records and toys were long since gone. But I think somebody had given us a couple of records.
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
I had a fun high school experience. We had a big old prom, we had 400 kids in the graduating class and everything. It was a fun night. I enjoyed the limo ride there the most. Me and a couple friends riding with their dates, everyone was all dressed up, and I was into it, the energy and the anticipation of that entire experience.
Most of the time I don't force records. I'm not one of these guys that put records out every nine, 10 months. I'm pretty long between records. I've only had a few in my career. I kind of wait until I feel I have really strong songs. I don't know if they're going to change the world or not, but I dig 'em, and if I dig 'em we make a record.
It's great being a producer! Why am I wasting my career writing and directing? Those are actual jobs in which you work. Being a producer, it's kind of like you just go to the set, yell at a couple of people, and then stay up all night dancing in nightclubs.
Not only my favorite producers, but those are actually brothers, they're part of our We The Best family. To me, they're the biggest guys out, and the music they produce and the records they put out are phenomenal records.
I had a couple of producer sessions where I would walk in the room, and the producer would just look at his phone. That's heartbreaking because it's so disrespectful.
At 185 in the UFC they had Rich Franklin and Anderson Silva, and I couldn't go to 205 - they had Randy Couture, Chuck Liddell and all of those big guys. I just wasn't mature enough, so if I hadn't fought at 170 I probably wouldn't have had the career I've had.
Honestly, I had a kid, so you watch the movies your kids want to watch. I'm also a producer, so when I watch movies, I look at them from the genre they are, the budget they had, and the time they had to produce it. That's how I evaluate their success.
I remember when I signed with Kedar Entertainment through Universal Records. It was my first record deal and it's the one I still have now. At that time, there had been a couple of opportunities I was almost given, but at the last minute the giver came back and told me it couldn't happen.
Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.
I had a bad back for a couple of years. I had to do a lot of physiotherapy for it. What I couldn't understand at the time was why the therapists had me doing a lot of stomach work.
People are always telling me how much they loved 'Empire Records.' We had so much fun making that movie. I was so young - 16 or 17. I still had a tutor!
I had this one producer who sent me tracks because he saw my YouTube videos that were popular and got a couple million views.
I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
A lot of people make records where there are a couple songs worth listening to and you skip through the rest, and I don't want to do that because those records bore me pretty bad.
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