A Quote by Ricky Skaggs

I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?'
I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?
I learned, when hit by loss, to ask the right question: "What next?" instead of "Why me?" . . . Whenever I am willing to ask "What is necessary next?" I have moved ahead. Whenever I have taken no for a final answer I have stalled and gotten stuck.
You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
I'm sure if I continue to do my work maybe good things will come in the future but for me the most important thing is always the next day, the next training and the next match.
I'm always looking to the next thing. There are always hurdles, whether it's the White House dinner or hosting charity events or that night's show: Until they're over, I worry, then I move right on to the next thing. It's hard for me to enjoy the moment. I'm just thinking about not failing.
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
Then, I realized that there is an indigenous presence in the Solar System. It's us. So, then, I got to wondering what would happen if a more technologically advanced society moved next door to us, the way we moved next door to the American Indians.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
The Lady has always moved to the next town and you stumble on after Her.
We live in the Age of the Next New Thing; we're assaulted day and night by tastemakers telling us what the next hit will be, the next style, the next cool.
When people ask whether virtual reality will be a real thing or just the next 3D, what I always say is, 'Take a headset, walk outside, and the next person you meet, put it on them and see what the reaction is.'
There is always a way and always hope in the next sunrise, and in the next second, and in the next minute.
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