A Quote by Rico Nasty

I describe my sound as sugar trap, that's not really a description that's really who I am, that's my swag, that's how I talk and walk. — © Rico Nasty
I describe my sound as sugar trap, that's not really a description that's really who I am, that's my swag, that's how I talk and walk.
WikiLeaks is really a litmus test for those people who walk the talk in the media. How much will they really follow their protestations to be brave publishers, and how much do they really want to lick the boots of power? Well, you can tell by their engagement with us and what they do.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
I describe me sound as international: reggae, pop, rap, R&B all in one. I think I have my own style. I can't really even describe it. People say, "What type of genre is your music?" It's Sean Kingston genre. I have my own genre. No disrespect to no artist or dudes out there. I feel like I am my own person. I am doing my own thing.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
The 'Lost' style book is really quite set. We do things like, we walk through the jungle, and we stop and turn and talk to each other. We never talk and walk. We always stop to talk.
The correct description is that we try every day to become more humble when we talk about divinity, we try to realize how little we know and how open minded we should be. It's self centered to think that human beings, as limited as we are, can describe divinity.
Soulja Boy is on his dance, down south, young, 18-year-old, comedic swag. It's really just each person's personality; if every rapper had the same swag, it would be kind of boring.
When you're shooting a TV show, sometimes it's more about, like, the blocking: it's usually - it's really fast. 'Walk here, walk here, walk and talk here.'
I can't really describe my sound.
I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.
There's something that I can't describe about the city [Portland] that I really love - just physically - how it feels to walk around there, and have coffee there. Also, the way that it's a little overcast sometimes. Something about Portland just really resonated with me.
The description is not the described; I can describe the mountain, but the description is not the mountain, and if you are caught up in the description, as most people are, then you will never see the mountain
Harlem is a stage. It's like its own planet, from the way we dress to the swag in the way we walk and talk.
Buddhism advises you not to implant feelings that you don’t really have or avoid feelings that you do have. If you are miserable you are miserable; that is the reality, that is what is happening, so confront that. Look it square in the eye without flinching. When you are having a bad time, examine that experience, observe it mindfully, study the phenomenon and learn its mechanics. The way out of a trap is to study the trap itself, learn how it is built. You do this by taking the thing apart piece by piece. The trap can’t trap you if it has been taken to pieces. The result is freedom.
I've never really had a certain style of music in mind that I make, or am really adamant on how something should sound, but I like the process of not knowing, of just seeing what happens and what comes out.
I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there.
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