A Quote by Ringo Starr
I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
Related Quotes
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
I'm lucky that I enjoy playing live; it's my passion to do that. There's certain artists that never want to play live. They just want to be in the studio. Good luck, because there is no income.
A lot of my buddies enjoy the writing part or the studio part, and I love the live show part. That's the reason I got into all this, to play keg parties and bars. I still love playing live.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
It's different playing in a studio than it is playing live, of course.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
When you are in the studio, you don't have anybody to feed off of; meanwhile, when you are playing live, you interact with people and you feel the energy in the room. When the crowd is going crazy, that definitely impacts your vocal performance. I prefer to sing live.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
For 'Rock On,' we not only acted as rock musicians; we also went into the studio to record songs and jammed live to get the concert feel right.
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.
On the road you have to be more organized. Also, a crowd's energy helps you focus. Nothing compares to playing live. You have to slamdunk whatever you're playing. In the studio, you can do things over.
When you're playing in the NFL, you can only do this for a short amount of time. Guys retire before they're 30. If you play forever, you play into your 40s - and you're still a young man with a lot of life left to live.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
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