A Quote by Ringo Starr

In 1989 I sort of got back into the music business and one of the reasons I got back in is [that] I put the first All Stars band together. It's actually progressed from that every other year, or every two years, I've put that together...more and more realizing that's what I do.
If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.
Not being able to protect her from things was the most frightening thing I'd ever felt, and it kicked in as soon as we got together. With every year we spent together, I became more conscious that I now had an infinitely expanding number of reasons to be afraid. I had something to lose.
We felt like when we went into last year we had a pretty good chance to win the championship from the previous year with the fall we put together. We've got the same everything now, so I think we can come back and be as strong this year.
I had a long, long time to make 'Rubberband,' and I originally thought that that record would last two years. Once I got over realizing that that's not gonna happen, and sort of got my perspective back, I realized, 'Man I'm really fortunate. I get to write music, make music for a living.'
Oh, yeah, I see the world differently now. Actually, when I first had the baby, I was breast-feeding him for two years straight. So we were together for two years of his life, every single day, all hours of the day. So I was two people, and I eventually morphed back into one
Oh, yeah, I see the world differently now. Actually, when I first had the baby, I was breast-feeding him for two years straight. So we were together for two years of his life, every single day, all hours of the day. So I was two people, and I eventually morphed back into one.
Murdoc is sort of the, um, it’s his band. He sort of put Gorillaz together. It’s his idea. But he’s sort of an ugly, sort of, snaggle-toothed Satanist who didn’t actually get the job of being the lead singer ‘cause he isn’t very handsome. So, 2D got the job, which is always going to piss him off.
I feel like I've had a strong relationship with Robert [Kraft] and his family since I was here in 1996 and I think it's gotten stronger every year that I've been here with the Patriots. The more things we do together, talk about together, work together on, the closer we become and the more we rely on each other. I feel like our relationship is very close and continues to grow closer every year as we grow older together.
You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.
I think what Secretary Ash Carter is seeing, and I'm glad he is, is that we got to get NATO back working for the common defense. We've got to do more to support our partners in NATO, and we have to send a very clear message to Putin that this kind of belligerence, that this kind of testing of boundaries will have to be responded to. The best way to do that is to put more armor in, put more money from the Europeans in so they're actually contributing more to their own defense.
It normally happens that if you put two words together, or two syllables together, one of them will attract more weight, more emphasis, than the other. In other words, most so-called spondees can be read as either iambs or trochees.
It's been a slow steady climb since my solo band got together almost 20 years ago. Me and my manager Blake were just talking about this, how every show has a few more people at it, every record has done a little better.
It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do.
I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
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