A Quote by Rhys Darby
I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
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I looked out the window and saw this white light.It was zigzagging around. I went up to the pilot and said,Have you ever seen anything like that? He was shocked and he said, "Nope." And I said to him: "Let's follow it!" We followed it for several minutes. It was a bright white light.We followed it to Bakersfield, and all of a sudden to our utter amazement it went straight up into the heavens. When I got off the plane I told Nancy all about it.
I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.
I was at a pharmaceutical conference in Dallas and bored out of my head. I'd split up from my missus and went downtown and had my kids' initials done, JLD, for Joseph, Luke and Daniel. Then I got back with my wife so I had her initials added during the Edinburgh Fringe Festival - after I'd waited a few years to see if the marriage would work!
Weird, isn't it Somehow in the dead of winter when its 40 below, so cold your words just freeze in the air, you think you'll never hear a robin's song again or see a blossom on a cherry tree, when one day you wake up and bingo, light coming through the mini blinds is softened with a tick of rose and the cold morning air has lost its bite. It's spring once again, the streets are paved with mud and the hills are alive with the sound of mosquitos.
One of my half-sisters just couldn't deal with it. I think she saw me as someone she had a hard time relating to. We're super-close now, but I probably came home from Europe with weird opinions and attitudes and weird clothing. I probably looked so different to her, and I couldn't show up for things she would have liked me to. My life picked up speed, and I couldn't really stop the momentum.
I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'
I remember walking home one day from school, and this car pulled up behind me really slow, and it gave me a really weird feeling, and all of a sudden it skimmed me, and the man was half naked and tried to pull me into his car and saying crazy things to me. And it was terrifying.
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
I didn't have the money to put myself through drama school, so I thought - naively - that if I wrote a play and put it on at the Edinburgh Fringe Festival, agents would see me and that would be my ticket to Hollywood. I wrote a musical; an acting coach saw it and put me on his course for free while I wrote for his company.
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my belt, and I take these meetings with people. Sometimes it's this great, weird sense of oddness that comes at you, because I've never really stopped thinking the way that I started thinking.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
When I was growing up, white people made fun of me. So it was always strange to me as I would gain prominence in hip hop, white people kind of accepted me more and they would talk to me more. It's so weird to me, growing up, thinking about that in my life. It really is a complete change.
I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
What really surprised me was how strange my paintings are anyway. To me, it's like, "Let's paint some portraits and some objects. Don't make it weird, just make it dead straight," but it's still weird. I don't know why. I guess it's just the way I see things.
I grew up with white parents, and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.
I grew up with white parents and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.
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