A Quote by Rhys Darby
Hopefully, the guys will work on a 'Conchords' film because the world deserves it. That's up to them, because we're all keen to do it. It's about finding the time and the right story. All I can do is encourage them and then wait for the phone call.
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I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.
I think me, as a leader, as a guy that's been cut, been humiliated, embarrassed, whatever you put on it, I think it's important just to embrace the guys around you, really support them, encourage them and then kinda give them that confidence. Let them know that you believe in them, and hopefully they'll get to believing in themselves.
Some guys didn't have fathers. Some guys grew up with great dads but the weight of fatherhood shifts onto their shoulders because they make millions now. Some guys are away from their kids or divorced. I'm letting them all know they aren't alone when it comes to fatherhood issues and to encourage them to make time for their kids.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
I'll call you," he repeated. "If you call me, I won't pick up the phone." "You will wait by the phone for my call, and when it rings, you will pick it up and you will speak to me in a civil manner. If you don't know how, ask someone.
Television's getting better because people are investing more money and time and respect into it. But the secret weapon of television is that, because it's a slow burn, you get to meditate on things and develop them. As opposed to film, where you have an allotted amount of time and hopefully you can wrap it up in there.
Call-time has renewed my faith in the need for public financing of elections. 'Call-time' is where I as the candidate, sit in a room with my 'call-time manager,' and a phone. Then I call people and ask them for money. For hours. Apparently, I'm really good at it.
Call-time has renewed my faith in the need for public financing of elections. Call-time is where I as the candidate, sit in a room with my “call-time manager,” and a phone. Then I call people and ask them for money. For hours. Apparently, I’m really good at it.
And this, really, is the story-within-the-story, because if you do not believe that hearts can bloom suddenly bigger, and that love can open like a flower out of even the hardest places, then I am afraid that for you the world will be long and brown and barren, and you will have trouble finding the light. But if you do believe, then you already know all about magic.
We’ve seen with this president, experience matters. When that phone call comes at three o’clock in the morning, I will be up and ready for the call because I will know what’s going on in the world around us.
I obviously would love to have a girlfriend, but a girlfriend deserves so much of your time and energy. And she deserves to be treated like a princess because that's how you should treat your girls. And if I can't give them that time and that devotion because of my dedication to football, then I don't feel like I should almost waste their time.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.
As I talk with the Chinese on currency, I encourage them to move much more quickly with opening up their capital markets to competition, because I don't believe the world is going to give them as much time as they would like.
My attitude is if somebody blunders into the level of popularity; at least remember the human factor. These guys are still human beings and hopefully still have hearts and if you keep in touch with them rather than vilify them you may be able to encourage them to go in the right direction. What I'm hoping will eventually happen is that they will grasp the amount of power and financial clout that is now at their fingertips and use those as tools to help real people with real things the way punk politics was always designed to do before, but nobody had any money.
The joy of making a genre film is that you have audiences in that place, and it's a perfect place to start because all it takes is finding ways to startle them out of that complacency and encourage a different kind of engagement.
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