A Quote by Rhys Ifans

Howard Marks is very intelligent and well read, eloquent, witty, charming. I think it was those qualities that got him through. I was interested to explore that because generally, we perceive criminals as dark, twisted, angry characters. Howard isn't any of those. He was punished for his crime, released from prison, and has lived to tell the tale.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
Voices in the forest tell of dark and twisted enchantments - as dark and twisted as the roots and grasping branches of the trees themselves. Even the most gnarled tree is eloquent in the telling of its own tale.
When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.
The regular guy still relates to him and Howard is a $500 million guy now who dates a model and drives about in a limo all day. But Howard still knows how to make a plumber laugh and those guys still have him on in the morning, because he is a real talent.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
Between 1995 and 2005, the prison population grew by 30 percent, meaning an additional half million criminals were behind bars, rather than lurking in dark alleys with switchblades. You can well imagine liberals' surprise when the crime rate went down as more criminals were put in prison. The New York Times was reduced to running querulous articles with headlines like Number in Prison Grows Despite Crime Reduction and As Crime Rate Drops, the Prison Rate Rises and the Debate Rages.
I was obsessed with theatre and loving the work of Caryl Churchill, Edward Bond, Howard Brenton, and Howard Barker, people doing real formal experimentation. But 'Road' was the first time I'd read a play written in a very true Northern dialect that seemed to have that excitement running through it.
American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.
I have a feeling a lot of artists' work got lost [because of AIDS]. Howard was fortunate because his family and friends supported him, but a chilling thing I remember was these guys at St. Vincent's [Hospital] who would call out for someone to listen to them, just for a moment. They were dying alone. Who knows what happened to their work? It's been a process to follow the thread to find out everything Howard did. It's getting over that shock.
I've got to tell you right out of the chute, Ryan Howard, to me, is very interested in my input in his hitting. To me that makes me really feel good. We've chatted over the years about hitting.
No one is punished for free speech in Cuba. If free and inconvenient thoughts were a crime in our country, I would have been a good candidate for prison, with my advocacy for sexual self-determination. Those people are in prison because they are mercenaries paid by Washington.
People look at me weird because I'm a Howard Stern fan, but he's very misunderstood. It's the first thing I do when I get in my car at a tournament - just pray that I get Howard 100 on Sirius or XM.
Howard Chaykin was one of the few who dared to make mainstream comics different back in the eighties; it was guys like him, Alan Moore and Frank Miller who made sure there'd be no going back. Howard's work on The Shadow is amongst his very best: razor-sharp character work, sizzling dialogue and an unsurpassed sense of layout and design.
People talk, 'Oh your father's a misogynist, look what he said about women,' like, on 'Howard Stern.' When he gets with Howard Stern, who's a friend of his, he'll joke around, because it's a comedy show. He's allowed to have a personality.
Shaytan will tell you that you’re not worthy, so give up. But his traps are based on lies. When was any of it because of *your* worth? It was all because of His mercy, His generosity, His love of giving, and forgiving. And those qualities don’t change because you’re messing up. Just seek them. Call Him by His mercy, not by your deeds.
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