A Quote by Rita Marley

I suffered years of criticism. But there was a point in my life where I had to stand up and say: 'I don't care what anybody says about me. I have to stand up for my family, for the four children I had with Bob and the eight he had with other women.'
I'm not concerned about what [Donald Trump] says about me. That doesn't matter to me. I'm going to stand up for immigrants. I'm going to stand up for American Muslims who are working hard in this country that they love and consider their own. I'm going to stand up for other women. I'm going to stand up for the right to choose.
At the beggining of my career, for me the comedy circuit was a combination of desperation and the fact that it was something I could do. I sort of meandered and really had no idea what I was going to do with my life. I had a go at stand-up, and I was sort of okay at it. I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me. So I'd say it was probably more about that than anything.
I wasn't one of those kids who stole Richard Pryor records. I wasn't a comedy-nerd kid. I had no concept of stand-up. Actually, the only inkling of stand-up I had was I read one of Paul Reiser's books when I was, like, 12. I found it at a yard sale, and I carried it around with me for six years.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
My inspiration comes from many sources, and one of those sources is precisely the maison Versace. When I was a little boy, my family was not very well off. I had a sister who worked in a hairdressing salon. I lost my dad when I was 4 or 5 years old. I grew up with eight sisters and my mom. Nine incredible women all a little "à la Donatella Versace." Real strong women from the South of Italy, women who had sensuality. They had a confidence in their body and in their sensuality. And it was a poor family, I am very proud to say it.
We've had four or five casts in three years. There was a point when I thought the Department of Children and Family Services was going to show up at my door!
We can't stand any more! We don't want any more of what we've had to put up with for eight years and many years prior. The country we know and love is being torn apart and rebuilt in ways that we don't want, and the Republican Party doesn't even seem to care about that.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
Stand-up is not just an American thing anymore. It's global. In some places, stand-up comedy is brand new. South Africa has only had a scene for 15 years.
I had been secretary of state for eight years, attorney general for four years, lieutenant governor for four years, and governor for four years - I had all these friends around the country - so I thought I could gin up a campaign not for me but against George W. Bush, against his war, against his economic policies, and against his education policies.
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
As I said in Phoenix we had 21,000 people. We had - we didn't even have anybody stand up and try and disrupt. You know, they're disrupters.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
Conclusions are based in time. We live in time. So any definition of success is bound up with time. With other things you can say, "Can I yo-yo? Can I juggle?" Usually you have a pretty small window in which to get your answer. Stand-up is different. You can't do stand-up for one night and say, "Am I a funny stand-up comedian?" In two months or two years you'll start to realize it.
...the men of the Ulysses had no need to stand in shame...many had found, or were finding, that the point of no return was not necessarily the edge of the precipice: it could be the bottom of the valley, the beginning of the long climb up the far slope, and when a man had once begun that climb he never looked back to that other side.
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