A Quote by Rita Moreno

You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking. — © Rita Moreno
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!"
As someone pointed out, you could have an attribute that says 'optimize the heck out of this routine', and your definition of heck would be a parameter to the optimizer.
Growing up, my father was a financial analyst for an oil company. He was just a regular dad. And when I would say, 'Hey, come see my play,' he'd say, 'Sure.' He'd see one, 'Oh, good play' - you know, very typical dad reaction.
The discovery of phobias by psychiatrists has done much to clear the atmosphere. Whereas in the old days a person would say: 'Let's get the heck out of here!' today she says: 'Let's get the heck out of here! I've got claustrophobia.
It takes an entire book to tell you what it was like. To see Robert De Niro play your father - it's not a simple answer. To see Julianne Moore play your mother. To see Paul Dano play you - that's an even more inscrutable question... he's amazing, he's totally amazing, but I can't really say if he's a good me or not.
Some people have their marriages annulled, which means they never existed. Boy, talk about denial! What do you say when people see your wedding album? 'Oh that was just some play I was in.
I think audiences have always wanted to see women in the movies, but every time a movie like 'Bridesmaids' comes out, everyone says, 'Oh how funny, people do want to see women in the movies.'
Growing up, my father was a financial analyst for an oil company. He was just a regular dad. And when I would say, Hey, come see my play, hed say, Sure. Hed see one, Oh, good play - you know, very typical dad reaction.
With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'
I talked to my agent and said that, basically, I'm the Taylor Lautner of TV. We both have our shirts off a lot. And we have the same agent, so we goof around about it. I'm waiting to open a script and see my shirt on.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
Can't you see me as king of the Hereford ranchers, Lucy?" "Oh, I can see you, all right... I can see you riding out on your beautiful palomino checking the herd... There you sit, silhouetted against the evening sky... Sucking your thumb and holding that stupid blanket!
You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
When I'm reading a script and I see the word 'lumbering' I go, 'Oh, that's probably the part they want me to read for.'
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
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