A Quote by Rita Moreno
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
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Some of my favorite photos from the old days are of people who maybe didn't know how to smile. Maybe smiling in photos wasn't an accepted form of behavior back then. But the big eyes and the oversized dolls that people are carrying, and it's something about their hair - the anachronisms of these photos are really what creep me out.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
In twenty years you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked.
Photos should focus on your waist up, unless you have amazing legs. Then it's okay to include one or two full-body shots in your gallery. The majority of your photos should be closer up, highlighting your face. Don't stage a smile. Instead, try to laugh just before the shot is taken. Flirty smiles that don't look cheesy also work. Make eye contact with the camera. Aim to take most of your photos outdoors.
I would be lying if I said I don't like to look sexy. But then there are some days when I don't want to look or feel sexy.
A photo is like a map, a way of giving me a foot into a kind of reality I want... I'm not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented.
After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
Every snapshot collector has obsessions. Some only collect photos of cars. Others like World War II, or babies, or old-timey girls in old-timey swimsuits. I happen to collect the weird stuff: photos that make the hair on the back of your neck stand up a little. The uncanny.
I like people who are devoted to me: men who know I'm the most fabulous thing in the world, and they just look at me with adoration. That's how my dad looked at my mom, and that's how I expected to be looked at.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
I still have a picture: three cars, big house, I'm standing there like I'm 50 Cent. I look at it sometimes and say, 'Look how stupid you were.' But that made me who I am, and I can look back and see it. I've learned. I grew up. I woke up one morning, looked in the mirror, and thought, 'No, that's not me. I don't want to be that. I'm a footballer.'
I had no cares. I was one of those kids: ‘If you laugh at me, laugh at me.’ I don’t have that censor, which is important in this business because you’re constantly told: ‘Gosh, you didn’t look very good. You don’t look pretty in that scene, or you didn’t do that right, or you’d look so much better if your hair looked lighter.’ You really have to have tough skin or you’d end up like a heaping, crying mess all the time.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.
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