A Quote by Rita Mae Brown
In art as in politics we must deal with people as they are not as we wish them to be. Only by working with the real can you get closer to the ideal.
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...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.
When you are a people's movement, you have one thing. Your only asset is people. And you have to deal with real people. Not the people of your imagination. Not the people you wish people would be. But people as they exist actually out there in the real world.
The high-minded definition of politics is: 'the art or science of government; the art or science concerned with guiding or influencing governmental policy.' It is only when you keep reading in Webster's Ninth New Collegiate Dictionary that you get closer to the truth: 'political activities characterized by artful and often dishonest practices'.
My government currently runs things only because the people 'allow' them to run things. It is my responsibility that I do everything I can to keep tabs on my government, keep them honest and make sure that they always act for the good of the people. They must be reminded that they hold no power over the people that the people do not wish for them to hold. If the government begins working in a way that the people don't agree with, they must be made to know that we will rip it to its very foundations and replace it with something that does.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
The only way to get people to like working hard is to motivate them. Today, people must understand why they're working hard. Every individual in an organization is motivated by something different.
On a film, you start to get closer and closer with the people you're working with, and it becomes like this circus act or this travelling family.
The ideal is the only absolute real; and it must become the real in the individual life as well, however impossible they may count it who never tried it.
I've even had people tell me that I must not be a Christian because I think climate change is real. But you know, there's nothing in the Bible that says that. The sad truth is that our thought leaders - many of them in the conservative media and politics - are the ones telling us this isn't real, and we are believing them.
If you only care enough for a result, you will almost certainly attain it. Only you must, then, really wish these things, and wish them exclusively, and not wish at the same time a hundred other incompatible things just as strongly.
Nothing, indeed, is more dangerous to the young artist than any
conception of ideal beauty: he is constantly led by it either into
weak prettiness or lifeless abstraction: whereas to touch the
ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
In politics, as in life, we must above all things wish only for the attainable.
I have talked to more people who are in politics who have said to me, "[House of Cards] is closer than you can imagine. It's the most accurate description of how politics actually works that we've ever seen." I mean, West Wing - beautiful, wonderful idea of how democracy should work. But I've had more people in politics say they think House of Cards is closer. I - don't know whether to take that as a compliment or a sad state of affairs.
In the end, there is no ideal condition for creativity. What works for one person is useless for another. The only criterion is this: Make it easy on yourself. Find a working environment where the prospect of wrestling with your muse doesn't scare you, doesn't shut you down. It should make you want to be there, and once you find it, stick with it. To get the creative habit, you need a working environment that's habit-forming. All preferred working states, no matter how eccentric, have one thing in common: When you enter into them, they compel you to get started.
I always like it when writers posit writing as an act of empathy. It's such a grand turn of phrase, such a noble ideal; empathy is so worth aiming for in life that the same must hold true in art. But personally, I can't think too deeply about that when I'm working, or I'd never get anything down on the page.
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