A Quote by Rithvik Dhanjani
One of the major things in any dance-based reality show is how smartly you can impress the audience and keep your cool throughout the show.
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One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
A mature person should disconnect himself from anything that is connected with fear. That`s how maturity comes. Just watch all your acts, all your beliefs, and find out whether they are based in reality, in experience, or based in fear. And anything based in fear has to be dropped immediately, without a second thought. It is your armor. I cannot melt it. I can simply show you how you can drop it.
Firstly, 'Dance plus' is the only dance reality show in India with an entire panel of captains who rose to fame through their dancing skills. The show will introduce audiences to new trends and evolved dance forms through solo, duo, and group performers.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale".
I enjoyed a cartoon show called 'Recess' throughout my high school career. The target audience for that show was 8-11 years old.
I have been on only one reality show, which was a dance show, a long time ago.
Show me why your regulation of culture is needed. Show me how it does good. And until you can show me both, keep your lawyers away.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
I have proved myself as an actor and now I want to show my fans that I am a good dancer too by participating in a dance reality show.
Fact is, the desperate desire to be cool has skewed our culture toward nihilism, carelessness, and ineptitude. It is now cool to be an idiot. A jackass. It's cool to be a failure, as long as your failure is the basis for a reality show.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
Reality shows are a beginning for people but I don't think it's a good platform because if you see any of the reality show winners... We really had to crawl our way up and find an opportunity in the industry to become famous but a reality show can't give you that.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
My career is based on the slow build of an audience based on putting on a good show live and putting out a record every couple of years. I was already doing really well in terms of my goals, to keep my fans coming back.
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