A Quote by Richard Ben Cramer

Don't be the schmuck on the other side of the table. Don't get an interview with the guy. Be in the room with him while he's being interviewed by someone else. — © Richard Ben Cramer
Don't be the schmuck on the other side of the table. Don't get an interview with the guy. Be in the room with him while he's being interviewed by someone else.
An intruder broke into Mike Tyson's hotel room in Las Vegas while he was sleeping but got out before Tyson could get to him. I don't know what's scarier. Having someone breaking into your room while you're sleeping or breaking into someone else's room and finding out the guy is Mike Tyson.
Usually, you get to interview that one girl who plays the sister on some Disney show - you interview that girl a lot - but sometimes, every once in a while, you get to interview a legend. I have interviewed some amazingly iconic people, including Michelle Obama, Oprah, Sidney Poitier and Judy Dench. These people are legit icons.
Sometimes you are being interviewed by someone and you think, if I knew this person they'd be my best friend. Other times you're being interviewed by a complete jerk.
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
I was in awe of Robert Osborne, the man, and his incredible talent. Like everyone else, I loved watching him introduce classic films on TCM. But I was fortunate to also get to know him in real life by spending time with him and being interviewed by him over the years at events around the country.
I'll never forget my interview with Barry Humphries - one of the oddest I've ever done. He insisted that for half the time he appeared as Dame Edna. So I interviewed the real Barry Humphries in a suit and tie, and then I interviewed Edna in full fig in her dressing room, where she criticised Barry mercilessly.
I know I'm not the biggest guy or the fastest guy, but you've got to bring something to the table that someone else is not. I love football too much.
The thing that can get kind of annoying is, when you travel so much, how hectic it gets. I was being interviewed once - it was a phone interview - and they said, 'Where are you right now?' and I didn't know where I was.
Just remember, Someone is on your side (our side) Someone else is not While we're seeing our side Maybe we forgot: they are not alone. No one is alone.
I look at decisions like - it's like an Indiana Jones movie. The guy comes to a rope ladder, and he's being chased. There's uncertainty on the other side, but he knows when he gets to the other side, he's going to take his machete and cut the rope ladder behind him. He has no retreat.
Often, I dream about work. For instance, the night before the Oscars, I dreamt about the Oscars and I dreamt about who I wanted to interview. Interestingly, one of the people I really wanted to interview was Keanu Reeves, and then we got him. We had never interviewed him before, so that was lucky. Or maybe it was fate - I don't know.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
It's probably odd for someone to read an interview where the interviewee is worried about exposure while they're talking in an interview.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
The way I work, the interview never becomes larger than the person being interviewed.
I felt like someone had ripped my heart out and tossed it across the other side of the room. There was a burning, agonizing pain in my chest, and I had no idea how it could ever be filled. It was one thing to accept that I couldn't have Dimitri. It was something entirely different to realize someone else could.
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