A Quote by Richard Brinsley Sheridan
There never was a scandalous tale without some foundation.
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The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
Any structure must have a strong foundation. The cornerstones anchor the foundation. For some reason the cornerstones that I chose to begin with I never changed.
The cross is the foundation of the Bible: If you have not yet found out that Christ crucified is the foundation of the whole volume, you have hitherto read your Bible to very little profit. Your religion is a heaven without a sun, an arch without a keystone, a compass without a needle, a clock without a spring or weights, a lamp without oil. It will not comfort you; it will not deliver your soul from hell.
It's like what you might call Goldilocks' dilemma in the old fairy tale. Young men see women as "less than" or "better than," but never their equals. And studies indicate that equality is the best foundation for a healthy relationship.
Then a person has only one tale?” No, some have two or three separate ones or more,” Fleet said. “Some people have many tales. Sometimes they are linked into one big tale, sometimes they are utterly distinct. Most people do not have one at all.
Life is like a building: it is impossible for anyone to achieve anything without a strong foundation, and the family is the most important foundation you can have.
If you build that foundation, both the moral and the ethical foundation, as well as the business foundation, and the experience foundation, then the building won't crumble.
"Are you a storyteller, Thomas Covenant?"
Absently he replied, "I was, once."
"And you gave it up? Ah, that is as sad a tale in three words as any you might have told me. But a life without a tale is like a sea without salt. How do you live?"
"I live."
"Another?" Foamfollower returned. "In two words, a story sadder than the first. Say no more - with one word you will make me weep."
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
A belief in God helps provide a foundation to arbitrate our decisions. Without this foundation, we are condemned to live essentially formless lives.
I've never done anything particularly scandalous.
For, what is order without common sense, but Bedlam's front parlor? What is imagination without common sense, but the aspiration to out-dandy Beau Brummell with nothing but a bit of faded muslin and a limp cravat? What is Creation without common sense, but a scandalous thing without form or function, like a matron with half a dozen unattached daughters? And God looked upon the Creation in all its delightful multiplicity, and saw that, all in all, it was quite Amiable.
People know I'll be sensational, not scandalous. There's a fine-line difference. Sensational means titillating the viewer. Scandalous means being condemned by the viewer for making unfair, uncouth revelations.
A tale without love is like beef without mustard: insipid.
I believe I do much better for the time being by first copying some good things than by working without that foundation
For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.
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