A Quote by Richard Branson

We'd love to be involved with the creation of something very special, something quite large and something quite exciting. — © Richard Branson
We'd love to be involved with the creation of something very special, something quite large and something quite exciting.
My whole family are in the entertainment industry. It is always something I was used to; I was quite lucky growing up. To all my friends, it was quite exciting, but to me it was quite normal.
Love, I take it, must look toward something not quite accessible, something not quite understood.
It really helps if you are doing something you love instead of something you are just spending a bunch of money on. You can become very discouraged if you're not involved in something genuine, something that you believe in, and are committed to.
More often than not, I get cast as quite Machiavellian roles - it's something about my face; I'm quite shifty or something!
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
The wisest man I ever knew taught me something I never forgot. And although I never forgot it, I never quite memorized it either. So what I’m left with is the memory of having learned something very wise that I can’t quite remember.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
In my work, I really try to look at ordinary things quite closely to see if there isn't a little bit of something special about them. I'm trying to make something as nearly perfect as I can out of words.
Most artists look for something fresh to paint; frankly I find that quite boring. For me it is much more exciting to find fresh meaning in something familiar.
It was quite nice to get an opportunity to introduce on the second album something a bit fresh for us. For the rest of the world, perhaps it's not, because guitar is quite ubiquitous, but for us it's exciting to just have guitar on the record.
I come from a family that was very strong, very successful, very bizarre, and terrifically exciting. Being a Korda is something I regard as special - not wonderful, or worthy of a national monument, but special.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
I think that there are quite a few acts which have stayed with the basic feelings and that's good. And I see something of a swing back to that. For example there are quite a few people copying my early stuff now. Like it's become a reference point or something.
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