A Quote by Richard Greenberg
I came to New York, and it was fascinating and intimidating and yielding, and all the stuff it's supposed to be. But whatever the abstract essence I was seeking, I couldn't find exactly that.
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Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
I did not have any money, so when I came to New York, I just dressed myself with whatever I could find and the Army-Navy store.
I really fight hard to make things film where they're supposed to be filmed. If something is supposed to be in New York, then it has to be in New York.
Men are always like, 'You're so intimidating.' I don't find myself to be. But whatever - I'm not going to try to be less intimidating. It's just a matter of finding a guy who's able to deal with it.
It means a lot to be back in New York. Particularly since one of the last senior event scheduled in the States was supposed to be here in New York. We were supposed to play in Central Park right after 9-11 and when 9-11 happened obviously things changed.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
I love Chicago. It's one of the great cities. I'm crazy about the town. It reminds me of New York when it was at its best, the New York that used to be and is no more. I love the architecture, the old stuff and the new stuff.
I dreamt of being an Aerie model before I came to New York. That was one of the main reasons I came to New York and wanted to get signed.
I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
Whatever New York loses, if you go to other cities around the world, or around the country, New York still has a kind of energy level you find nowhere else. Paris doesn't have it, London doesn't have it, San Francisco, a great city, doesn't have it.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
One good and bad thing about New York is there's so much exciting stuff and so many people doing something interesting. I actually find in New York that you become more careerist and more focused on what's the newest, hippest thing.
Everything is energy. It's physics. So I find the science of it all interesting; how 90% of stuff that's in our universe is made of stuff that we can't even measure. I find that fascinating.
But if you're from New York and you grew up here, you have it built into you - what a slice of pizza is supposed to be - in a way that people from outside of New York don't.
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