A Quote by Richard Dreyfuss
I took the part in 'Mr. Holland's Opus' because no one had ever asked me to play 'a life' before. I get to age through 30 years. The idea really challenged me.
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My character in 'Mr. Holland's Opus' was kind of coming of age, learning about a world that was opening up to her.
I like the idea of being a working writer, not of saying that it's going to take me 30 years to write my magnum opus.
It took me two years to get an appointment with Mr. Suga who cut my hair for the Olympics. Who knew? I had no idea that it would be popular.
It took, like, 30 years for Carrie to be really happy with me. I don't know what the problem ever was. I've had to work at it.
All I'd ever heard my entire life in my family was, "Nobody wanted you, and we took you in." When you get that into your head at a tender age, you really feel like you are an unlovable human being, and then you behave like one. That's exactly what I had done. It took me many years to deal with my own violence and find my own niche.
I have my dream job. If I was seven years old and you asked me what I'd want to be 30 years from now, I'd say exactly who I am. So, 'rare' and 'lucky' are the exact right words. It took a lot of hard work, and I took a weird route to get here, but man, am I grateful for it.
I asked for a guitar when I was 8 years old for Christmas. I have no idea why. I never had any guitar heroes. I still don't. But there must have been something in me because I've been playing for 30 years.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
I never really had a job, because I've been cycling from such a young age: there was never really a time to have a job. My mum went into Starbucks once and asked if they had a job for me, and they offered me one - but I never took it up because I couldn't fit the job in with school and cycling.
It has had a tremendous impact on my life, more than on the life of most Prize winners, because I was in an unusual situation. I was unemployed at the time. I was in good health, but I had reached the age of 66 and beginning to get social security, but I didn't have much of that. I had many years of unemployment before me.
I remember when I started acting and didn't get a part and was really jealous of the girl who got it. My mom would say to me, "If you don't get a part, that means it's not your part. It's just not yours. You will have your parts." It really recalibrated me at a very young age to where I could be driven because I was trying to achieve things for myself, and that had nothing to do with what anybody else was doing.
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
I got a very late start at fatherhood. I'm a late bloomer in general. It took me seven years to get through four years of college. I was five years away from 40 before I had a family, and I had never been around kids much at all. All of a sudden, I was around three boys all the time.
I was getting my Ph.D. in Holland - I speak Dutch - for a number of years before I moved to France because I had one of those offers you couldn't turn down. They offered me to come and do my films.
My life plan was to get into drama school and become an actor, but it took me three years. I applied while I was still at school in my final year, and I didn't get in anywhere, so I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
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