A Quote by Richard K. Morgan
It was the single forgiving phrase in the syntax of weaponry I had strapped about me. The rest were unequivocal sentences of death.
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Changing the course of destiny, so I'm strapped with weaponry cause the government don't give a f-k about protecting me.
When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
There are various forms of weaponry, intellectual weaponry, spiritual weaponry, political weaponry, economic weaponry. Because we are on the battlefield, and there are bullets flying, some symbolic, some literal and the life of the mind is a crucial place where the battle goes on.
Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
I had nothing to do with death panels. I thought it was a horrible phrase about end of life. I didn't think it was accurate, and I was - I've always been opposed to it. The reason why I stood behind that phrase "death tax" for so many years is because the only time that you could pay that tax, the only time, is on the death of a relative. And that's what makes it a death tax. You have to be accurate.
Syntax is the study of the principles and processes by which sentences are constructed in particular languages. Syntactic investigation of a given language has as its goal the construction of a grammar that can be viewed as a device of some sort for producing the sentences of the language under analysis.
It's quite literally true that we are star dust, in the highest exalted way one can use that phrase. ...I bask in the majesty of the cosmos. I use words, compose sentences that sound like the sentences I hear out of people that had revelation of Jesus, who go on their pilgrimages to Mecca.
I'd like to be more forgiving. There are times when I've had a hard time forgiving people who have betrayed me.
I don't really think about the fact that a lot of people are watching 'DSDS' or about the way I should phrase my sentences.
I was in Korea. I've noticed all my life I see elderly people who have been close to death in an illness and they're absolutely cured and they say, now I know how to live my life. I've seen death. That happened to me when I was 19. It was a terrible, terrifying thing. And I live my life like those people decided to do when they were old. So, since I was 19, I've had the most fun possible every single day, even when I had a rough life. It was the army which taught me about life, and the theater which taught me how good it could be.
It seemed to a number of philosophers of language, myself included, that we should attempt to achieve a unification of Chomsky's syntax, with the results of the researches that were going on in semantics and pragmatics. I believe that this effort has proven to be a failure. Though Chomsky did indeed revolutionize the subject of linguistics, it is not at all clear, at the end the century, what the solid results of this revolution are. As far as I can tell there is not a single rule of syntax that all, or even most, competent linguists are prepared to agree is a rule.
The rhythmical unit of the syllable is at the back of all of it - the word, the phrase, the sentence, the syntax, the paragraph, and the way the heart moves when you read it.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
I don't suggest that the observations are surprising or profound. Rather, they seem to me the merest truisms. I was not aware that [ Michel] Foucault had used the phrase "speaking truth to power." I had thought it was an old Quaker phrase.
Mandatory minimum sentences give no discretion to judges about the amount of time that the person should receive once a guilty verdict is rendered. Harsh mandatory minimum sentences for drug offenses were passed by Congress in the 1980s as part of the war on drugs and the "get tough" movement, sentences that have helped to fuel our nation's prison boom and have also greatly aggravated racial disparities, particularly in the application of mandatory minimum sentences for crack cocaine.
We were so busy that right before we recorded the follow-up single to 'Lovin' Feelin' I had a nervous breakdown. I just folded. I had to stay in bed for a couple of months and rest.
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