A Quote by Richard Corliss
We lived a lovely, middle-class, suburban life in Philadelphia. And I really thought that the TV programs of the '50s, like 'Father Knows Best' and 'The Adventures Of Ozzie And Harriet' Nelson were documentaries filmed with hidden cameras in our neighborhood.
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I really wasn't too interested in writing "Father Knows Best" and "Ozzie And Harriet." I thought they were pleasant enough, but it wasn't really what I wanted to do.
Those rosy memories we all share are actually memories from our favorite TV shows. We've confused our own childhoods with episodes of "Ozzie and Harriet," "Father Knows Best," and "The Brady Bunch." In real life, Ozzie had a very visible mistress for years, Bud and Kitten on "Father Knows Best" grew up to become major druggies, and Mom on "The Brady Bunch" dated her fifteen-year-old fictional son.
Who have I been starstruck by in real life? One of the weirdest ones was, when we were making 'Cry-Baby,' David Nelson from 'The Adventures of Ozzie & Harriet.' I couldn't believe he was sitting in my living room. Certainly Patricia Hearst. Tab Hunter. A lot of the stars I've worked with, when I first got them.
We've all grown up with 'Ozzie and Harriet,' 'Father Knows Best,' 'Eight Is Enough.' White families have always represented the universal family.
Well, when I was growing up it was Ozzie and Harriet on TV - nobody's parents were like that.
The street I lived on for the first handful of years of my life was lined with modest, lower-middle-class houses with small front yards and cracked driveways - your typical North Jersey neighborhood, with all the odd hidden darkness that that implies.
My mother became mentally unwell with schizophrenia when I was in my teens... We couldn't watch television because she thought the people on TV were sending her messages. She thought there were hidden cameras everywhere, so we had to have the curtains drawn.
In traditional Hindu families like ours, men provided and women were provided for. My father was a patriarch and I a pliant daughter. The neighborhood I'd grown up in was homogeneously Hindu, Bengali-speaking, and middle-class. I didn't expect myself to ever disobey or disappoint my father by setting my own goals and taking charge of my future.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
For all my proclivities for thuggery, I am a typical middle-class dad. I'm a gangsta rap suburban father!
I grew up in a super suburban place where the mundane middle-class issues were similar to what Ray Davies was singing about. All the topics he was singing about were middle-class woes and humanitarian woes - human-being woes.
My father's father wrote for a Philadelphia newspaper and aspired to be a playwright. We had in our house a couple of crazy unproduced plays that he had written. For the one creative writing class I took in my life, I didn't do any writing - I decided that I would plagiarize his terrible play to not fail the class.
When 'Nil By Mouth' was released, people thought that's what we were actually like, that they'd put me and Ray in front of the cameras and filmed what came out. No acting involved.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
It was like I lived in a little suburban neighborhood in the middle of New York City because I could run around barefoot or, you know, completely independently from a very young age in the safety of this building where I knew everybody and where I had friends on every floor, and I knew the bellmen in the lobby.
My '50s were different than other people's '50s. The myth didn't permeate our world, 'Donna Reed' and all that. I longed for that, I wanted to be like other normal families on TV.
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