A Quote by Richard Laymon

I don't worry much about whether or not one of my stories contains elements of the supernatural. If I come up with what I think is a nifty concept, I'll give it a whirl.
I have always been fascinated by the supernatural elements in stories, whether fairy tales, myths, film or literature.
I think that the really cool thing about 'The Nine Lives of Chloe King' is that, while it has a lot of supernatural elements and Chloe is a superhero herself, it is not all about the supernatural.
God wants your ministry to flow from the realization that you are a beloved child of God. In that place you don’t worry too much about how people see you. You don’t worry too much about whether they’re nice or mean. You don’t even worry about whether they love you or hate you. You don’t worry because you’re simply going to love them and love Him. This comes from knowing who He is and what He thinks of you. This is what it means to grasp you are a child of God.
Come close now,' ordered Fenworth. 'Time for an exit. I think we'll whirl, Kale likes to whirl. Hold hands. Let's stay together, children. I want no one lost.
I enjoy watching movies that are high concept or science fiction or have supernatural elements, like '2:22' has.
I think the biggest mistake most people make when they pick their first job is they don't worry enough about whether they'll love the work, and they worry more about whether it's good experience
You become a parent, and your whole life becomes about worrying. You just worry constantly whether they'll be okay. And the idea that I'll be worried forever about them and what they do...I almost have a panic attack when I think about it. I'm worried, and I'm worried about having to worry so goddamn much.
I think between the ages of 15 and 32, don't worry about getting married, don't worry about settling down, don't worry about having a baby. Give birth to yourself.
The concept of 'Heavy Rain' is to offer real-life situations with real characters. There are no supernatural elements in the story.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
They also work as half-hours. The stories are all different but include elements of revenge, or the supernatural, or some sort of surprise.
We love those beautiful, Latin American stories where there is an element that's more mysterious and wonderful. I think as a child a lot of us love the idea of the star and more of the supernatural elements.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
I think actors worry too much about age. They should just get out there and make sure they're up for whatever jobs come along.
To me, what's really important about the Green New Deal isn't, like, one of the elements of it: it's the concept. It's the concept that we have a national emergency commensurate with a depression or a war. And then the second part of it, the concept that, in rising to meet that challenge, there's a ton of economic opportunity.
Give up money, give up fame, give up science, give the earth itself and all it contains, rather than do an immoral act.
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