A Quote by Richard Linklater
I'd be fine to make movies and have them never come out. But you have to deal with the business side. You can't get too emotionally invested, because again, you've got no control. There's going to be some huge film out that everyone goes to, and it probably won't be mine.
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What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
I never got in this business, in cinema, to make horror movies. They arrived on my doorstep and I got typecast. Which was fine, I enjoy it, but I got into this business to make westerns. And the kind of westerns I used to see, they died. So that didn't work out.
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.
Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
We never had a huge squad and we never had a great deal of choice. But in many ways that helps because you've got to make do with what you've got. You don't have too many problems about picking the team you just hope that everyone turns up on the day.
I'm emotionally invested in every movie that I do, period, because you've got to make that commitment. You're spending a year, 18 months of your life doing it. I'm invested in all those kinds of pieces. Most of the films I've had in my career have never tested well. I got lucky that sometimes I got supported by studios - or, at least if not supported, tolerated.
I think I mainly climb mountains because I get a great deal of enjoyment out of it. I never attempt to analyze these things too thoroughly, but I think that all mountaineers do get a great deal of satisfaction out of overcoming some challenge which they think is very difficult for them, or which perhaps may be a little dangerous.
My father invested his money so securely in the banking business that he was never able to get any of it out again.
Hillary Clinton gave us ISIS, because her and Obama created this huge vacuum, and a small group came out of that huge vacuum because when - we should never have been in Iraq, but once we were there, we should have never got out the way they wanted to get out.
I wasn't actually going to see the original film [Lord of the Ring], because I didn't think it was possible that a film could represent the books appropriately. So I was protesting, and I wasn't going to see them. And then my family all took a jaunt together, the entire family, to see the movies, and were like, "What, you're just going to stay home?" So I saw the movies and was thoroughly impressed that Peter Jackson managed to make my vision of the book come to life, as well as my sister's and my father's, and my aunt's and my uncle's, everyone's.
Getting the message out there to speak out is huge, and I think you can be the brightest person in the room, but people never know what's going on really inside and the hardest thing is to speak out. You've got to speak out. I think sometimes you maybe hold it all in and it can get too much at times.
I’ve basically been working really hard for the past couple years. And the nature of the film business is that movies come out when they come out, and these all just happen to be coming out at the same time.
Massive, massive mentality. The mental strength, you've just got to have that because you get a lot of stick, as a goalkeeper you're the last line of defence. When a goal goes in everyone looks at you, you've got to be able to deal with that. If you make a mistake, it could be a bad mistake, how are you going to recover? Are you going to react positively or are you just going to cave in?
Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.
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