A Quote by Richard McCabe

I had a schoolmaster who was a supernumerary at Glyndebourne Opera, and through ,I got a job as a walk-on in Peter Hall's production of 'Don Giovanni' there in 1975 or 1976.
I love the way Monteverdi's opera embodies the triumph of evil love in such a luscious way. The closing love duet is just pure amoral, liquid passion. The Orchestra of the Age of the Enlightenment sound great in the Albert Hall, and the Glyndebourne cast is fabulous.
In 1974 or 1975, if someone had told me I was going to be an Olympic champion, I would not have believed it. Even in 1976, I'd not have believed it.
My very first real job in the industry was as a production assistant on a show called 'Infinity Factory' in 1976.
You know, in 1975 I couldn't get a job in New York City because I was American. The kitchens were predominantly run by French, Swiss, German, and basically I got laughed at. I had education, I had experience, but got laughed at because I was American.
If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
I had a sense when I took the job that the 1976-77 Trail Blazers could be very good. We had made a lot of positive roster changes, but it wasn't until I had the team in training camp that I realized that this team could be special. Midway through that season, I felt we had a chance to win it all.
Isn't that ridiculous to show Peter standing at the gates of Heaven with a ring of keys? The doors are already unlocked for us, all we've got to do is walk in through the front gate!
I interned at NBC News and had a great experience there in both New York City and Washington. After graduating, I got an entry-level production job at PBS in Boston. There, I developed the bug for programming and production.
The difference between me and, say, the opera critic is that I'm charged with thinking about the world beyond opera. I could go see 'Die Fledermaus', for instance. I've never done any of this, by the way. I've never written about one opera since I've had this job.
I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.
I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
I couldn't be more thankful to get my start on a soap opera. It was the hardest job I ever had. Got to practice in front of the camera, like, every day.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
As far as a defining moment, that was a hugely successful and very busy time for me. 1975, 1976, 1977 - that whole time frame.
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