A Quote by Richard Morris
You can read about it all you want, but there is no substitute for just doing it.
Related Quotes
Everyone likes a bit of variety. I'm sure none of my readers only want to read about anti-heroes or villainous protagonists any more than they only want to read about square-jawed heroes doing the right thing. I just write characters than entertain me and hope they'll be ones that other people want to read about, too.
If you care about the news and write what you want to read - not just what you think Google search wants to read - there are people out there who want to read it.
I'm just doing what I've done my whole life, which is talking to people about books and making them read. It's what I do in my friendships. "Here, you have to read this, you have to read this."
I really love doing nothing. I really love just being at home and taking a couple of days, you know, doing nothing. You know what I mean? Just getting up, being around the house, going outside the back yard, coming back in; I really like to do nothing because I travel a lot. There's a lot of travelling. There's a lot of on the phone all the time. There's a lot of looking at papers and reading things and so you don't want to read magazines and you don't want to do anything; you don't want to read books, you just want to just kind of shut down a little bit.
In man's life, the absence of an essential component usually leads to the adoption of a substitute. The substitute is usually embraced with vehemence and extremism, for we have to convince ourselves that what we took as second choice is the best there ever was. Thus blind faith is to a considerable extent a substitute for the lost faith in ourselves; insatiable desire a substitute for hope; accumulation a substitute for growth; fervent hustling a substitute for purposeful action; and pride a substitute for an unattainable self-respect.
Reading texts is no substitute for meditation and practicing Zen. If you read a book about a place, and you want to go there, you don't keep reading the book. You have to travel. That's what practice is about. Traveling. Walking the path.
I won't complain, but I don't want to just be doing action films and extended character transformations, you know? I want to explore, and I'm up for anything. Honestly, I just want to read a good script and fall in love.
I am a grenade," I said again. "I just want to stay away from people and read books and think and be with you guys because there's nothing I can do about hurting you: You're too invested, so just please let me do that, okay? "I'm going to go to my room and read for awhile, okay? I'm fine. I really am fine: I just want to go read for a while.
I'm not scared of doing movies that are just about entertainment. I'm not scared of doing movies that are really challenging and cover difficult terrain. I just want good experiences and I want to challenge myself and I want to just keep learning, as an actor.
Teaching literature is teaching how to read. How to notice things in a text that a speed-reading culture is trained to disregard, overcome, edit out, or explain away; how to read what the language is doing, not guess what the author was thinking; how to take evidence from a page, not seek a reality to substitute for it.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
God didnt put you on earth just to read about what others do. He made you TO DO some things others will want to read about!
If you read angry political blogs, substitute Obama with my daddy and you'll usually learn a lot about the author.
If I want to read something that's really giving me something serious and fundamental to think about, about the human condition, if you like, or what we're all doing here, or what's going on, then I'd rather read something by a scientist in the life sciences, like Richard Dawkins, for instance.
I don't want to walk in the middle. I want people to read what I write and feel strongly about it. If, at some point, whatever I am doing is failing to elicit a response, whether it's very positive or very negative, then I am going to stop doing it.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
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