A Quote by Richard Norris
I'd like to be remembered for music that moves people, that takes them some place else, that means something to them, reminds them of a good time or place, some memory, some positive moment.
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Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
If I'm in the airport, people will come up and just hug me because they feel like they can - and that's the greatest. They just want to hug because some place, some memory in their lives, I meant something to them.
You will have significant experiences. I hope that you will write them down and keep record of them, that you will read them from time to time and refresh your memory of those meaningful and significant things. Some may be funny. Some may be significant only to you. Some of them may be sacred and quietly beautiful. Some may build one upon another until they represent a lifetime of special experiences.
I always have to have sweet and salty. I know some of you are going to say, "Oh, I tried dates. I hate them." That's probably because you had the ones that were on the shelf for three years. Go to some healthy place and get the fresh ones, and you will just love them. You'll start eating them and think they're so good.
The story of the Baudelaires takes place in a very real world, where some people are laughed at just because they have something wrong with them, and where children can find themselves all alone in the world, struggling to understand the mystery that surrounds them.
To me, the more interesting villains are the ones you can, in some sense, relate to or sympathize with at times. Maybe you sympathize with them one moment; the next moment, they do something truly atrocious, and you feel bad you ever sympathized with them in the first place.
The history of struggle is rich with stories of heroes and heroines - some of them leaders, some of them followers, all of them deserve to be remembered.
All cultures are different. Some commit genocide. Some are uniquely peaceful. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity. In American culture, we obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where its taking us or what it means but I know we do it.
Some of them are funny. Some of them are ridiculous. Some of them are annoying. I don't want to be one of those people that complains about the rumours. I never like it when a celebrity goes on Twitter and says, "This isn't true!" It is what it is, I tend not to do that.
Once, the world was full of mysteries, some of them frightening, some of them wonderful, some of them merely fascinating. Now, it can be a banal and predictable place, the tracks of daily life so well-beaten and defined, our culture awash with the imbecile obvious, our existence suffocating in safety. But mysteries remain.
I remember the first time going to St. Jude. I didn't like going there because the children were ill, and it just broke my heart. It makes you test your religion when you see something like that. But the Lord doesn't want just old people. You know, He wants some young people, too, and good people. He takes care of them. He takes care of them.
I think that what's happened is that there's been a rediscovery of some good old-school films and a realization that there's always a place for them. We don't have to outgrow them with the new technology and we can do them with it and we can do them without it. We shouldn't always have the demands made on us to do it.
Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
I'm very proud of all the movies I made. I am very happy with everything I've done. I like to watch my movies. Some of them work. Some of them don't. Some of them people like, most of them they don't.
You know . . . a lot of kids at school hate their parents. Some of them got hit. And some of them got caught in the middle of wrong lives. Some of them were trophies for their parents to show the neighbors like ribbons or gold stars. And some of them just wanted to drink in peace.
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