A Quote by Richard Powers

When you're sure of what you're looking at, look harder. — © Richard Powers
When you're sure of what you're looking at, look harder.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
You'll always have people saying 'these guys look good' but there's a difference in what we're looking for. We want our fighters to look like fighters, sure, but the moves still have to look good.
You cannot look in a new direction by looking harder in the same direction.
We have to pay attention to one another, regardless of how someone may look or act, look again. Looking at people is like looking at art. I may look at a painting and dislike it because I don't understand it but then I'll look deeper and I'll see things better.
When I look in the mirror, I know I’m looking at someone who isn’t sure she deserves to be loved at all.
Trying to follow in the footsteps of the masters, but it's a lot harder than it looks because even though they had the same size feet as us, they weren't looking down the whole time while they walked to make sure they were doing it right
It gets harder and harder to make sure your public understands you're a sensitive human being, but I am sensitive. I don't like to be hurt.
I think it's much harder to make dramatic films, and much harder to create a film that's engaging, where you're actually properly looking at real characters and subtleties.
People have to look to the right places for guidance. Looking at a certain type of entertainment shouldn't be where you go for guidance. To zone out, have a laugh, sure - but it's not a great example on how to navigate on a journey. There are other places to look.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
Its funny, because for females in general - not just in music, but the corporate ladder as well - anything we do has always been harder for us. When it comes to music, the industry wants you to conform, to look like this and to sound like this and do this or that. It makes it harder. It's harder for us to come out and be bosses and lead the pack.
What really motivates me to climb harder and harder is not necessarily that I want to push my limits or show who's best, but climbing harder and harder routes makes it more fun.
When you look at the startling ruins of Nuremberg, you are looking at a result of the war. When you look at the prisoners on view in the courthouse, you are looking at 22 of the causes.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
I always want to try to bring something fresh to every book. It's getting harder instead of easier. I feel like I work harder with each book. But I don't want it to show on the pages, that's for sure.
They say not to look back, but if you’re not sure what lies ahead, what else is there but looking back?
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