A Quote by Richard Rawlings

We said we could do a full episode - find the car, build it, complete it and shoot it - in two weeks. — © Richard Rawlings
We said we could do a full episode - find the car, build it, complete it and shoot it - in two weeks.
'Party Down' is the most fun I've ever had working in my life. We shoot 10-episode seasons and we shoot it in 10 weeks, so it's very brief: 4-day episode shoots. You never get sick of anybody, and it never feels like a drag. It's way, way, way too short.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
For the two or three weeks you work on an episode, you totally immerse yourself.
All the working-class people could feel a Malcolm X. They could hear Malcolm X, and two weeks later they could whisper back what he said. Verbatim. They could remember the way he put it, and he put it so well.
I don’t like keeping her in the dark,” Jace said. “We’ll tell her in a week. What difference does a week make?” Jace gave him a look. “Two weeks ago you were dead.” “Well, I wasn’t suggesting two weeks,” said Sebastian. “That would be insane.
Vegas is definitely a place where we can win. We had a good run here last year, and I feel even more confident about the car we're taking this time. We're taking the car that we raced in California two weeks ago, and it was obviously a good car.
Today there are two points where a car manufacturer has interaction with you as an owner of a car. One, you buy the car. Two, you go to the car shop to repair the car.
He once told Allie and I that if he'd had to shoot anybody, he wouldn't've known which direction to shoot in. He said the Army was practically as full of bastards as the Nazis were.
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
We just wrote songs that seemed good to us. We wrote the album in like two weeks. We could have had more time, but we accomplished what we needed to in the two weeks.
The money it would cost to buy another car could be [used to] build two schools. So it's an easy choice that makes me very happy.
I had an unhealthy obsession with 'Only Fools and Horses.' I still have to watch an episode with my brother every two or three weeks.
I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
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