A Quote by Richard Haynes

Read the classics one hour every day, drunk or sober. Reading the classics gives one a feeling of confidence. It familiarizes one with the vagaries of life. It shows one that there are really no new plots.
I enjoy classics, but classics are classics for a reason. I prefer to focus on the future. There are a lot of new stories to be heard.
I say, don't read the classics - try to discover your own classics; every life has its own.
I often lament that new picture books don't get read because the classics hold up so well. It's a ridiculous complaint because, um, the classics hold up so well.
I enjoy classics, but classics are classics for a reason.
I like to read first thing in the morning. I'm addicted to the Kindle. I read a lot of business books, because I feel like I should figure out how to be a real businessman before someone figures out that I'm not one. I really enjoy reading classics as well, which I try to work in once every two months.
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
Men sometimes speak as if the study of the classics would at length make way for more modern and practical studies; but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man?... We might as well omit to study Nature because she is old.
The novel is about five students of classics who are studying with a classics professor, and they take the ideas of the things that they're learning from him a bit too seriously, with terrible consequences.
After college, I went on a real big classics kick. Read everything by Faulkner, Hemingway, Woolf, Proust, Dostoevsky. And that classics train dropped me off at 'Dracula.' Halfway through it, I understood I'd never be going back, never 'leaving' the genre again. Since then, I've been on a fairly strict horror diet.
Professors of classics - not even a professor of English - professors of classics, they're something sacred; it's almost like being a priest.
My goal for children's books is to have them become tableside or bedside classics. To me, it would be awesome to write a book that every kid would end up reading at some point in their life because influencing kids in a positive way at such a young age is really cool.
School is very important; it was very important for me. It gave me an enormous amount of confidence, especially at Yale where we were dealing with all the classics. In dealing with the classics, you are dealing with the very best.
You know that you can't make references to the Classics any longer and less and less to the English classics even.
Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.
It is a fact that the classics of Yiddish literature are also the classics of the modern Hebrew literature.
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