A Quote by Richard Sherman
I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.
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Fans, for the past two weeks you have been reading about a bad break I got. Yet today, I consider myself the luckiest man on the face of the earth.
We are shocked and saddened by Bob Casale's passing. He not only was integral in DEVO's sound, he worked over twenty years at Mutato, collaborating with me on sixty or seventy films and television shows, not to mention countless commercials and many video games. Bob was instrumental in creating the sound of projects as varied as Rugrats and Wes Anderson's films. He was a great friend. I will miss him greatly.
Bob Gibson is the luckiest pitcher I ever saw. He always pitches when the other team doesn't score any runs.
Live-action has always been my focus and my passion. I love voice-over, and I definitely could see myself doing some voice-over, as much as I could, and even if I ended up doing only that for the rest of my life, and I could be successful at it, that would be great. But I think my real dream is to do films and live-action films.
But these last months had turned him around and now Gen saw there could be as much virtue in letting go of what you knew as there had ever been in gathering new information. He worked as hard at forgetting as he had ever worked to learn.
If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening".
Until I became a nurse, no one had ever asked me to sign a book contract. I had been writing for decades, read thousands of books, and even worked in publishing for 10 years. Who knew that nursing would be my break?
I actually worked for a small company in Ohio that sort of farmed out work from Disney and Dreamworks, so I really only ever worked in two studios.
There's a lot of guys that are able to perform for a short period of time. It could be a week, it could be a month, it could be two months, it could be one season. It's doing it over and over. And being consistent was something that watching Patrick Roy all these years, that's what he was. He never had down years.
Why is it that we three hundred and thirty millions of people have been ruled for the last one thousand years by any and every handful of foreigners who chose to walk over our prostrate bodies? Because they had faith in themselves and we had not.
People all say that I've had a bad break. But today... today I consider myself the luckiest man on the face of the Earth.
Because of Walter, we did it the other way around. We also worked with an awesome sound designer named Will Patterson who just worked for four years on Terrence Malick's films. He did a lot of conceptual work to make the soundscapes in the jungle have this surreal quality, to blend these two films because a lot of the images are about this parallelism between the movies. The sound was very integral to fusing everything.
Any artist who has that quality of timelessness has that quality because they tell the truth.
People who came to the clinics or came to the fundraiser knew what was happening in their state but didn't realize the profundity of what was happening all over the place. But the third thing [was] that at every single clinic I went to, somebody who worked there - it could have been the doctor, it could have been the receptionist - said, "Thank you for coming, no one ever comes." And it broke my heart...I've used these services, I've had an abortion, I got to be where I am because of access to making choices to have the life I wanted.
I started out with nothing in the world but a kind of passion, a driving desire. I don't know where it came from, and I don't know why - or why I have been so stubborn about it that nothing could deflect me. But this thing between me and my writing is the strongest bond I have ever had - stronger than any bond or any engagement with any human being or with any other work I've ever done.
A baseball bat could not have hit me harder than that smile did. I was sixteen years old. In that time, how many thousands of smiles had been aimed at me? so why did this one feel like the first?
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