A Quote by Richard E. Grant
Every time I try to plan something or assume that something's going to happen, it never works out like that.
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Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
I think you have to make concessions in life. One of the most frustrating things about getting older is [you realize] the reason you have a plan is so you can see everything that it isn't. The plan never works. Something happens and you adjust to it and you adapt to it and you accept it and you keep going, but that's not the plan.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.
Most of the time for me, you're learning what not to do, as opposed to what to do. You never know what to do. I don't, especially in a work environment. You have a little formula yourself. But when I see a director do something I think, whatever he or she just said totally screwed that actor up and now they're worse. I'm never going to do that. I'm going to figure out something else. I want my movie to be good. And that's how it works.
The future has never been something that I've been able to plan. Every time I try - I don't care if it's three or four days ahead or a week ahead - it just doesn't pan out.
I don't like things to be handed to me on a plate; that means nothing. I like to go through layers of unraveling and every time I listen to something, it makes me feel something different. Now I'm aware of the conflict that's going on, but at the time I just let what was happening happen.
You can plan physically to try to win the Tour, but I could never plan for what was going to happen after it.
Every time you take a train, step into your car, walk into the shopping mall, go to the airport - every single time, something could happen. That's how terrorism works.
We [with husband] try and spend time alone, which is really hard to do. Of course, when you have kids they're like: "Why are you going out? You went out last night... you can't go out tonight!" so, you try to do that, and you try and ask somebody to please turn off the football game because you can't stand it any longer and you'd rather talk to them.You try to make time for each other where you can. You try to plan a trip away somewhere.
Many people don't have an internal vision to go after something, fight for something, make a plan. So the biggest thing is - until you get picked up by a major label or until something breaks, you need to plan out what your dream is going to be.
There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
You never know the plan. You never know what's going to happen. We are not even promised tomorrow. I just try to focus on one day at a time.
No one has the right to not assume that the business cycle will turn! Every five years or so, you have got to assume that something bad will happen.
Often you've read another poem that you think is so beautiful that you'd like to make something like that. And so you try to make a sonnet that works in a certain kind of way, or you try to make something that's songlike, or you create a refrain, or you love the way a poem works in two line stanzas and you try to do that.
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