A Quote by Richie Havens
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
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One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
All of us '60s pop stars came from old cities which had a jazz club, a folk club, a coffee house, and an art school.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
When I was 13, I used to go to a jazz club. The owner of the club became my first business manager. She was very gutsy and had a lot of friends, one of whom happened to be the head of jazz at Columbia at the time. That's how it all began.
I started to develop my comedy skills when I became resident singer at the Boggery Folk Club in Solihull. My career blossomed from there, and I became a big draw on the folk-club circuit.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place.
I was born in Philadelphia, Pennsylvania, and am a product of a family that were jazz aficionados and also very interested in progressive politics. And so I had a lot of artists and musicians in my home. Lots of Latin music, folk, and jazz and blues, bluegrass-type of stuff. Painters and stuff like that.
'Sunshine Superman' was a pioneering work that for the first time presented a fusion of Celtic, jazz, folk, rock, and Indian music as well as poetry.
If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
The jazz and blues clubs are like the jazz and blues musicians - they're disappearing.
Elvis might have compromised his musical style a bit towards the end, but that doesn't mean that artists from the rock n' roll/folk-roots culture - of which he was not really a part - shouldn't get better as they get older, like the great jazz or blues artists.
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