A Quote by R. L. Stine

Normally, I spend a week on the outline and take two weeks to write the book. — © R. L. Stine
Normally, I spend a week on the outline and take two weeks to write the book.
I don't start a novel until I have lived with the story for awhile to the point of actually writing an outline and after a number of books I've learned that the more time I spend on the outline the easier the book is to write. And if I cheat on the outline I get in trouble with the book.
I am a big outliner. For my adult book, 'The Visibles,' I did not outline, and it took me two years to write because I just didn't outline, and I had no path.
Home runs come in bunches. You can go two weeks without one or hit four in a week. Sometimes, you just feel that stroke for a week or two weeks straight.
Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.
Exercise your imagination muscle! How many uses can you come up with for a flowerpot? Write down your answers. But don't write them in this book. Grab a separate sheet of paper. I didn't spend two and a half weeks writing a book just so you could mark up the pages with your silly ideas for things you can do with a flowerpot. When it comes down to it, what's wrong with a flowerpot not being a flowerpot? Why is nothing ever good enough for you?
Brazil is not what you see but what you feel. Once you spend time here - a week, two weeks - you get in the vibe. It's really intoxicating.
I don’t like keeping her in the dark,” Jace said. “We’ll tell her in a week. What difference does a week make?” Jace gave him a look. “Two weeks ago you were dead.” “Well, I wasn’t suggesting two weeks,” said Sebastian. “That would be insane.
I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.
My mom would spend a week in jail. She would spend a day in jail here - a week again, a week and a half, two weeks. My grandmother tells me stories of how because I would be at the house, I wouldn't notice that my mom was gone because she would be at work sometimes. So it was just like time when my mom would be gone and my grandma would tell me she'll be back. And nobody knew where anybody was.
I outline and outline and outline, and then I'm very specific about the stuff I write. That's my process.
What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.
What I find really difficult is making career decisions. Normally it will take me two weeks, until the very last minute and I have to say yes or no. For a couple of weeks, I will tune everyone out who is giving me advice, so that I can make a clear decision on my own and it takes time.
An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
I hit as hard and as fast in the first week of camp as I do in the last week of camp. So it doesn't matter if it's two weeks' notice or 10 weeks' notice.
We live on a two week cycle in our house so if I go away for two weeks, it's too long. And if I'm home for two weeks, it's too long.
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