A Quote by Roald Dahl

I go down to my little hut, where it's tight and dark and warm, and within minutes I can go back to being six or seven or eight again. — © Roald Dahl
I go down to my little hut, where it's tight and dark and warm, and within minutes I can go back to being six or seven or eight again.
I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.
...the dark ancestral cave, the womb from which mankind emerged into the light, forever pulls one back - but...you can't go home again...you can't go...back home to the escapes of Time and Memory. You Can't Go Home Again
Someone asked me 'What's the biggest thing you'll take out of the Premier League?' I said that you can't relax. I think you can go from having a great run of games - you can go four, five, six unbeaten - and turn a corner and go into a run of seven or eight games without winning. That's how difficult it is for the so-called smaller clubs.
From the three, you then use one to make eight ones. You add those ones to the three, and you get one-three base eight, or, in other words, In base ten you have eleven, and you take away seven. And seven from eleven is four. Now go back to the sixty-fours, you're left with two.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
In the evening I go up in the desert and spend hours watching the sun go down, just enjoying it, and every day I go out and watch it again. I draw some and there is a little painting and so the days go by.
When you go down a dark alley and you feel that tingling across the back of your neck, that's not just a bad feeling, that's a biological gift from God - the Gift of Fear...when you ignore that gift - when you go down the dark alley and say, Y'know, I'm sure it'll be okay - that's when you find real pain.
Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.
It hasn't taken them long, they began by telling us they would have a positive and patriotic case and they're back to project fear within minutes. There they go again they have nothing positive to say.
At seven, I played centre-back. When you're so young, though, it's more to enjoy the training and to get a feel for the game. It's not heavy on tactics of a position. We were playing on a half pitch, seven against seven or eight against eight, so they say you're a centre-back, but it's not like the real definition.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
I am a Division I All-American wrestler, but I wrestled college wrestling matches, seven minutes long. If I was to go in there and wrestle for seven minutes of a fight, a 25-minute fight, you're not getting nothing out of me for the rest of the time.
If someone accuses me of not being born here, I can go -within 10 minutes - to my filing cabinet and I can pick up my real birth certificate and I can go, 'See? Look! Here it is. Here it is.'
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