A Quote by Rob Brown

When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
It's a process and it's a matter of understanding the horse and through any of these little projects you have a beginning, a middle and an end. And if you made up your mind early when he's still scared, you'd think that wasn't working at all. Sometimes it might get darker, before it gets dawn. You might have to work at it a little bit in order for it to come out the other side.
We work pretty fast. I might be working, and I might knock out two, three songs. Quavo might come in two, three himself. Offset might come and do the same.
It's the African-American experience. You've got to wear different masks. When you're in the hood, if you stand out, you get picked on for being weak. Sometimes you have to hide your intelligence. In front of your boys, you might put on a bit of bravado, be a little bit tougher.
I might have a little bit of cellulite. I might not be toned everywhere. I might struggle in this area or that. But accepting that just empowers me.
From time to time I might push a little bit too hard and I have got to be a bit more careful.
Once I get out onstage, it's the same sort of basic production that it is anywhere else. But I might be a little bit aware that there might be people I know out there, who wondered where I was.
Depending on what country I go to, my style might be a little bit different and my tactics might change a little bit, but at the end of the day, I'm still Tessa Blanchard and I'm still the same wrestler.
I'm not a grunter, I'm relatively quiet. There's a little bit of breathing out. Some people get really loud! There's a little bit of psyching up sometimes, if you're going for a really heavy weight you might make a little noise, but when lifting, I try and keep it quite quiet - I'm not a fan of male noise in that way to be totally honest. I think when girls do it it's not as bad, but when guys do it it's just like, 'Come on mate, hold it in!'.
I had been working at home at the time and was looking to find a studio space somewhere outside of my apartment. I thought that might be good for me in terms of having a little bit more discipline with my work habits.
Before Anna, I'd had a few relationships and I'm glad I've been around a bit. I know where it's gone wrong or know who are the wrong people for me and who I might be wrong for.
You might be smarter, your family might come from privilege, your daddy might own a company, but YOU WILL NOT OUT WORK ME!
In Australia you can be a little bit more attacking, in places on the subcontinent you've got to find ways to get batsmen out, you might have to bore them out.
The typical jobs that a lower-skilled immigration worker might do might be construction work, it might be hospitality work, it might be restaurant work, or might be not working at all and just going onto the welfare system if there isn't a job for that individual.
Acting can be a difficult business. When I was younger, if my mates were doing better than me, I might be a little bit envious, but as I have got older, I love to see actors cracking on and succeeding. The same goes for writers.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
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