A Quote by Rob James-Collier
Working on 'Downton Abbey' is amazing, but there's an ensemble cast of between 18 and 21 actors. With 'Love Life,' there are two couples and a few other key characters. As a smaller unit, you've got to take more responsibility - at the same time, you can have more ownership of the direction it's going in.
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I wanted to be a part of an ensemble cast. It's such a wonderful, beautiful thing to be in a comedy where you're working and watching amazing actors, working with amazing material, and you're able to jump in and bounce off it.
The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist.
I think the first time I realised Downton Abbey was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about Downton Abbey, and then they recognised me.
I think the first time I realised 'Downton Abbey' was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about 'Downton Abbey,' and then they recognised me.
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
You have no idea what's going to happen [in Downton Abbey] until you get the script. We roughly knew a couple of the key points that were going to happen, but when I got the last episode, I turned to the last page to check that I was still alive.
I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.
I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.
After spending the last few years working on a serious novel set in Chechnya, I was drawn to both the brevity and casualness of Twitter, and wrote a series of tweets titled 'The Erotic Inner Life of Mr. Bates from Downton Abbey.'
There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.
Smaller government, more individual responsibility, more individual control creates more Republicans. More state power and ownership and control and top-down decision-making creates more Democrats.
It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.
We were all expecting to finish [Downton Abbey] after Series 1, actually. And then, it got extended to Series 3, and that's when two of our much loved and much missed friends left. And then, it was going to be done with Series 5, but Julian Fellowes said, "I'd like to do one more." So it's been a series of extensions, rather than wondering how much longer we can go on for.
I tried to get people at 'South Park' into 'Downton Abbey,' and it didn't work. I think they were like, 'Downton Abbey?' What?' And I kinda made a big plea in the writer's room, like, 'Guys, you should really watch it. It's good. It's addicting. My wife and I are obsessed with it.'
I love working on 'Glee,' and I hope that there are more and more parts for me and other actors with Down syndrome in television and in movies so I can keep working for a long, long time.
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