A Quote by Rob Cohen
I watched all the Academy screeners and I wanted to slit my wrists. Whether they are good or not good, I don't know why you make Foxcatcher? I don't know why you do it. What is it giving anybody except to have Steve Carell put on a rubber nose?
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Steve Carell's Foxcatcher look took two hours to put on, including his hairstyling and make up. Just for comparison, it took me three hours today to prepare for my role as "human woman".
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
If you talk to anybody, among the first things you'll hear is, 'Steve Carell is the nicest guy in the world.' And he is. 'Steve Carell is the greatest guy to work with.' And he is. But all of that belies other aspects that are as true with him.
Steve Carell is good. I like him. Who else? Here's another depressing thing: animation has kind of taken over, too. You know, 'Family Guy?' I watch that because the guy is good.
I want to put on the table, not why 85% of the members of the National Academy of Sciences reject God, I want to know why 15% of the National Academy don’t.
I did 'Vice' with Christian Bale and 'Foxcatcher' with Steve Carell - both of those films had significant prosthetic work. You do need to be cognizant of the fact that the material that you're photographing is not skin.
Usually a manager is put with someone who has got good rings skills, but is not necessarily good on the mic. So I have no idea why they put me with Steve Austin, he didn't need any help!
Sometimes I think my husband is so amazing that I don't know why he's with me. I don't know whether I'm good enough. But if I make him happy, then I'm everything I want to be.
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
The idea of explaining why free trade is good, why immigration is good, why the world is so connected, that we need to think in terms of humanity and being generous to each other, you know, that's proving to be a challenge.
What makes a show good for me, personally, is a mystery that just doesn't quit. I want to know why. Why did this happen? Why is this phenomenon occurring? Why did that person do that? A series is really good to me that takes its time in answering those questions.
What else is there to do in college except drink beer or slit one's wrists?
I know certain roles are important to me. I know that I really want to play them. I know I can do a good job. But I can never put into words why.
Cocaine made my nose bleed right away. I thought why do I need a nose bleed? It would make me real nervous and talk really fast. I'm already pretty good at talking too fast. I thought, "Why do I need that?"
If every choice you make comes from an honest place, you’re solid and nothing anybody can say about you can rock you or change your opinion. It doesn’t shake me because I know why I do the things I do and I know I come from a good place and so people can judge me however they wish. But I know I’ll continue to do the best I can and be the best I can.
And nothing inspires as much shame as being a parent. Children confront us with our paradoxes and hypocrisies, and we are exposed. You need to find an answer for every why — Why do we do this? Why don’t we do that? — and often there isn’t a good one. So you say, simply, because. Or you tell a story that you know isn’t true. And whether or not your face reddens, you blush. The shame of parenthood — which is a good shame — is that we want our children to be more whole than we are, to have satisfactory answers.
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