A Quote by Rob Liefeld

Domino is all about... as an actress and as the character that is going to be on the screen, you already allude to it: it's all about the sass. — © Rob Liefeld
Domino is all about... as an actress and as the character that is going to be on the screen, you already allude to it: it's all about the sass.
I think, as an actress, whether you want to or not, whether you're ready for it or not, people are going to look at what you're doing, and they are going to look up to you, and it's not even really about you; it's who you portray on the screen.
To me, casting is all about finding a character within the actor off the screen as much as on the screen.
I love people like Renée Zellweger who aren't afraid to look unattractive and really put themselves into a character role and to really be an actress instead of just thinking "Am I on-screen pouting and looking beautiful?" because that's not really what it's about.
You ought never to sass old people- unless they sass you first.
My most enjoyable movie going experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don't know everything about, and you don't know every plot turn and every character movement that's going to happen.
On-screen relationships are the best because you don't have to worry about saying the wrong things. And if the guy's got a girlfriend, or I'm not attracted to him, it's even better. It's just my character kissing his character.
If you understand your character and feel like it's a collaborative process, you're more inclined to dive into the deep end and fight for your character and feel passionate about your character, and that passion comes across on screen.
I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.
A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.
What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like.
I have to grit my teeth sometimes, knowing I am going to be written about. But I think it is my life, and I don't want to get people interested in debating it. But I do feel that if you are going to put yourself about as a public person on a television screen, there's a curiosity.
It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
The less you know about me the easier it is to convince you that I'm the character on screen.
To me, sex appeal means that when an actress is on the screen, she just engulfs the whole screen.
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